Vacations Can Be Murder - A Review, Excerpt, & Giveaway

 Review

VACATIONS CAN BE MURDER:
A TRUE CRIME LOVER'S TRAVEL GUIDE TO NEW ENGLAND
VOLUME 1
By Dawn M. Barclay 

 

True crime enthusiasts who like to travel, even if it's only via armchair, will appreciate VACATIONS CAN BE MURDER: A TRUE CRIME LOVER'S TRAVEL GUIDE TO NEW ENGLAND VOLUME 1. This handy book gives each state its own chapter which is then divided into sections: basic crime statistics and brief segments about the crimes followed by a sampling of true crime books set in that state. The next section includes various places to see including accommodations, restaurants, and other attractions. Addresses, websites, and current hours and prices are also given as well as more snippets about the crimes that took place there. The last section for each state features the itineraries, multiple ones for each state giving driving directions to a set of true crime sights. As with any travel book the problem is that they can easily become outdated. Information such as prices and hours of operations can change quickly and the author urges people to call before making any definitive plans. In addition, the stories remain the same even if restaurants and tour companies fade away.

 

The book includes notorious true crime cases, such as Lizzie Borden and Kitty Genovese, and historical cases such as the Salem Witch trials and the Boston Strangler, however a large number of the cases are tawdry murders which only die hard true crime fans, or those with some association, would be interested. I personally wouldn't care to visit the site where a man repeatedly stabbed his neighbor, though I may want to pay respects nearby where a woman was hanged for witchcraft.

 

This book is exceedingly well researched with a wonderful bibliography and index at the end. I really enjoyed reading about the haunted restaurants and hotels and found those bit even more interesting than some of the true crime sections.

 

Well organized and easily readable VACATIONS CAN BE MURDER: A TRUE CRIME LOVER'S TRAVEL GUIDE TO NEW ENGLAND VOLUME 1 is an enjoyable travel guide for fans of true crime and those interested in more unique travel destinations.

 

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VACATIONS CAN BE MURDER

A TRUE CRIME TRAVEL GUIDE TO NEW ENGLAND

by Dawn M Barclay

April 28 - May 23, 2025 Virtual Book Tour

Synopsis:

Vacations Can Be Murder

 

As Close as You Can Get to True Crime While Still Breathing!

For the true crime lover—finally, a travel guide from an award-winning travel journalist and suspense author that gives you the down and dirty on exactly where the major crimes occurred, and where the bodies are buried. For aficionados of paranormal, prison, and tombstone travel, there’s a goldmine of tourism suggestions for you here as well.

Along with summaries of the major crimes committed in New England, you’ll discover where to find the best crime and ghost tours; which hotels and restaurants are former jails, courthouses, or harbor paranormal activity; where infamous criminals are/were jailed, and which venues and attractions might feed your fancy for murder and justice. Reading lists in each chapter will guide you to books expounding on the crimes discussed.. Best of all, suggested itineraries bring all the pieces together to help you traverse New England’s criminal landscape in an organized and entertaining way. Up for a true crime road trip? Let Vacations Can Be Murder be your ultimate travel guide.

Praise for Vacations Can Be Murder:

"The perfect reference book for the U. S. crime traveler. Barclay rounds up a collection of known and obscure crimes, arranged by geographic area, that features museums, cemeteries, hotels, prisons, and private properties. She even offers itineraries, murder tours, a location-specific list of true-crime books, victim resources, and some ghost stories. This travel guide is a gem. Be packed and ready before you start reading because you’ll want to go explore."
~ Katherine Ramsland, author of Darkest Waters, The Nutcracker Investigations, and How to Catch a Killer

Vacations Can Be Murder Trailer:

Book Details:

Genre: True Crime, Travel
Published by: Level Best Books
Publication Date: March 25, 2025
Number of Pages: 340
Series: Vacations Can Be Murder, Book 1
Book Links: Amazon | Goodreads

Read an excerpt from Vacations Can Be Murder: A True Crime Lover’s Travel Guide to New England:

This is from the Crime Summaries section of the Connecticut chapter. The actual addresses of these crimes are all included in the Itineraries section of the chapter.

Hartford may be considered one of Connecticut’s most dangerous cities, but its suburbs have seen their fair share of crime over the years.

The Hartford Witch Trials occurred between 1647-1663. In all of Connecticut, there were 43 trials and 16 executions, many in Hartford and three in Wethersfield. On May 26, 1647, Alice (Alse) Young of Windsor was the first to be executed. Servant girl Mary Johnson was the first to confess to witchcraft in Connecticut but was likely coerced by extensive torture. She was executed somewhere between 1648-1650 (reports vary).

In 1839, The Amistad criminal and civil cases were tried at Old Statehouse in Hartford. The case revolved around a mutiny by, and subsequent charging of, 53 Mende African men, women, and children who had been captured and were being transported between Sierra Leone and Havana, Cuba aboard the ship to serve as slaves. The story was the subject of the Steven Spielberg film, Amistad. Several other Connecticut locations connected to the trial can be found at https://www.nps.gov/subjects/travelamistad/visit.htm.

Joseph “Mad Dog” Taborsky was a murderer sentenced to death after a string of brutal robberies and murders in Hartford and West Hartford in the 1950s. He was sentenced twice to be executed for two different crimes, but the first conviction was overturned due to the mental competency of a witness, his brother Albert, testifying against him. (Albert was later declared insane.) In December 1956, a little over a year after his release from prison, Taborsky launched a 14-month murder spree that killed gas station attendant Edward Kurpewski and customer Daniel Janowski, package store owner Samuel Cohn, shoe store customers Bernard and Ruth Speyer, and pharmacy owner John M. “Jack” Rosenthal. The second conviction stuck, and he died in the electric chair in 1960, the last execution in Connecticut until that of Michael Bruce Ross in 2005.

In 2004, Matthew Steven Johnson was convicted of the 2000 and 2001 slayings of three female sex workers he murdered—Rosali Jimenez (33), Aida Quinones (33), and Alesia Ford (37)—who were all found dead in the Asylum Hill neighborhood of Hartford. Each of the women had drugs in their system and were found with their bodies stomped upon, strewn with Johnson’s semen, and with their pants pulled down around one leg. Johnson was found guilty and sentenced to three consecutive 60-year sentences at the Cheshire Correctional Institution.

Lazale Ashby became one of the youngest prisoners on Connecticut’s death row for kidnapping, raping, burglarizing, and murdering his neighbor Elizabeth Garcia in 2002, when he was just 18. He was suspected of another Hartford rape, as well.

Ashby has actually been tried and sentenced three times for Garcia’s murder, the final time in 2023, when he confessed to the crime. Now that Connecticut has abolished the death penalty, he’s been sentenced to 46.5 years in prison. In addition, he was convicted and received a 25-year sentence for the 2003 fatal shooting of 22-year-old Nahshon Cohen of Manchester, whose body was found on a street in the city’s North End.

Speaking of Manchester, in August of 2010, the city became the location of a mass shooting at a beer distribution company, Hartford Distributors. Disgruntled former employee Omar Thorton, forced to resign after video evidence revealed he’d been stealing and reselling the company’s beer, fatally shot eight coworkers and injured two others. He then committed suicide on site. Those who knew him cited racism as the reason for his upset, but these allegations were disputed by the firm and not substantiated by the investigation that followed.

William Devin Howell’s rape and murder spree, which started on New Year’s Day in 2003, took place in Seymour, West Hartford, and Wethersfield, as well as New Britain. Triggered by a fight with his girlfriend, Howell succumbed to years-long rape fantasies, Referring to himself as the “Sick Ripper,” he would lure female drug addicts, unlikely to be missed, into his “murder mobile.” There, he would rape them, often videotaping bizarre sex acts, before murdering them and disposing of the bodies in a seldom frequented area behind a strip mall in New Britain which he called his “garden.” He was arrested in North Carolina and plea-bargained his way into a fifteen-year sentence for the manslaughter of Mary Jane Menard. However, new evidence that surfaced while he was already in jail earned him six consecutive life sentences (360 years in prison) to be spent at the Cheshire Correctional Institution.

In 1986 at the Jamaican Progressive League, a club in Hartford’s North End, Bonnie Foreshaw stopped to get a beer and ended up committing a murder that bought her the longest jail sentence ever handed down to a woman in the state. Having endured a lifetime of sexual and spousal abuse, when Hector Freeman offered to buy her a drink and wouldn’t let up when she turned him down, the encounter triggered her. She drew her handgun to fire a warning shot, but Freeman protected himself by using a pregnant woman, Joyce Amos, as a human shield. Foreshaw’s bullet killed her accidently.

Foreshaw spent the majority of her jail time at the York Correctional Institution in Niantic where author Wally Lamb taught a writing class for prisoners. Lamb took up her cause, believing she’d been over-sentenced, and thanks to his help, Foreshaw was granted clemency after serving just 27 years of a 49-year sentence. Once released, she changed her name to Bonnie Jean Cook and helped other ex-convicts adjust to life on the outside until her death in 2022.

All of these murders pale in comparison to the crimes of Amy Archer-Gilligan. While she was charged with five deaths (though only tried for one), she may have killed as many as one hundred. Archer-Gilligan ran the Archer Home for Elderly People and Chronic Invalids in the Hartford suburb of Windsor, where countless older residents were bilked out of money and then poisoned by arsenic, including the murderer’s own husbands. Other locations tied to Archer-Gilligan include Newington, where she and her first husband James Archer lived with John Seymour until he died, and then they transformed the home into Sister Amy’s Nursing Home for the Elderly. In 1917, she was convicted of the murder of Franklin Andrew and sentenced to death by hanging, but she appealed. During a second trial in 1919, she pleaded insanity and was convicted of second-degree murder, earning her a life sentence. In 1924, she was transferred to the Connecticut General Hospital for the Insane in Middletown, where she remained until her death in 1962. The play Arsenic and Old Lace is loosely based on her story.

Also in Hartford, the Circus Fire that killed 168 persons and injured 412-700 others through trampling and asphyxiation occurred on July 6, 1944 (“The Day the Clowns Cried”) and is considered one of the country’s worst fire disasters. The Big Top Tent was coated in paraffin plus gasoline or kerosene for waterproofing; therefore, it was highly flammable. On top of that, some of the exits were blocked by animal chutes. Arson was suspected; others blamed a carelessly tossed lit cigarette. A mentally ill man named Robert Dale Segee, 21, of Circleville, OH, confessed to setting the fire, as well as up to 30 other blazes in Maine, New Hampshire, and Ohio. He later recanted his confession and was never tried in Connecticut. However, Segee was indicted and convicted in Ohio on two charges of arson and served eight out of a four-to-forty-year jail sentence. He died in 1997.

Finally, on May 18, 1988, Billy “Hot Dog” Grant, a bookie who was in charge of Connecticut safe houses for New York’s five families, was reportedly murdered in the parking lot of the Westfarms Mall in Farmington. Grant, who had owned Augie and Ray’s Hot Dog and Hamburger shop in East Hartford, and later the South End Seaport restaurant on Franklin Avenue, was suspected of having given up details of the hiding spot of the brother of a mafia boss. He is supposedly buried underneath a Farmington residence.

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Excerpt from Vacations Can Be Murder by Dawn M Barclay. Copyright 2025 by Dawn M Barclay. Reproduced with permission from Dawn M Barclay. All rights reserved.

 

 

Author Bio:

Dawn M. Barclay is a veteran travel trade reporter and an award-winning author who writes nonfiction under her own name and fiction as D.M. Barr. Her first nonfiction book, Traveling Different: Vacation Strategies for Parents of the Anxious, the Inflexible, and the Neurodiverse (Rowman & Littlefield, 2022) received a starred review from Library Journal, and won the 2023 Lowell Thomas Gold Award from the Society of American Travel Writers Foundation, Honorable Mention from the American Society of Journalists and Authors (Books that Make a Difference), and first prize in the Maxy Awards. When not writing, she edits for various authors and publishers, creates book trailers, ghostwrites (nonfiction only!), plays competitive trivia, rescues senior shelter dogs, travel, reads, and apparently, drives her family nuts...but they won't admit it, of course, since she knows a lot about murder.

Catch Up With Dawn M Barclay:

www.VacationsCanBeMurder.com
Amazon Author Profile
Goodreads
Instagram - @authordmbarr
Facebook - @TrueCrimeTravelGuides

 

 

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A Haunted History of Invisible Women: True Stories of America's Ghosts - A Review

 Review

A HAUNTED HISTORY OF INVISIBLE WOMEN: TRUE STORIES OF AMERICA'S GHOSTS
By Leanna Renee Hieber & Andrea Janes

A HAUNTED HISTORY OF INVISIBLE WOMEN: TRUE STORIES OF AMERICA'S GHOSTS looks at the history behind many female ghosts and hauntings throughout the United States. Broken down into various tropes, each section begins with an introduction before branching into stories of the women who fall within the purview of said category. Highly researched, but with the authors' own opinions willingly shared, the book is part ghost story, part folklore, part history, and part women's studies. 

If you're looking for spooky stories to tell around the campfire or to scare your friends, this may not be the book for you. However, if you're looking for interesting tales about real people who have a haunted history, this book may be right up your alley. I always enjoy learning the true history behind real hauntings and enjoyed reading about the women here, some I knew about, many I did not.

While I enjoyed reading about these ghostly women, I do have some issues with the book. The problem is that the authors fall into a common trap. They look at the lives of these women of the 18th, 19th, and even the 20th century, through the lens of a woman of modern times. Yes, these women from the past had hard lives, some hated the limitations placed on them, but others didn't see life as a drudgery. You simply can't frame the past with the eyes of the present, which is what the authors do here.

While the book is undeniably well researched with footnotes and endnotes to prove it, I discovered one major inaccuracy. In one section they discuss Mother Ann Lee and the Shakers. It concludes saying that their numbers dwindled and they faded away. While it's true that the number of Shakers dwindled and may have faded, they have not faded away. There is still a functioning Shaker community in Sabbathday Lake, Maine. It's true that there are only two members of the United Society of Believers in Christ's Second Coming-but they are still here.

 

A HAUNTED HISTORY OF INVISIBLE WOMEN: TRUE STORIES OF AMERICA'S GHOSTS is an intriguing book filled with stories of women who deserve to be remembered.

Currently Reading...

I'm currently reading A Haunted History of Invisible Women: True Stories of America's Ghosts by Leanna Renee Hieber and Andrea Janes.

A Haunted History of Invisible Women: True Stories of America's Ghosts looks at the history behind many female ghosts and hauntings throughout the United States. Broken down into various tropes, each section begins with an introduction before branching into stories of the women who fall within the purview of said category. Highly researched, but with the authors' own opinions willingly shared, the book is part ghost story, part folklore, part history, and part women's studies.

Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism - A Spotlight

While I primarily read cozy mysteries, I read other genres as well. I enjoy learning about a variety of subjects and am periodically able to pursue these interests by reading some nonfiction titles. Today I’d like to shine a spotlight on one such book, Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism by Barbara Weisberg.

From the book jacket:

March 1848. Mysterious knocks are heard in a little house in rural New York, throwing the community into turmoil. Are the children who live there-Kate and Maggie Fox, sisters aged eleven and fourteen-making the raps to trick their parents? Or are the girls mediums for otherworldly messages? From a battery of strange sounds and the excitement they create, modern Spiritualism is born.

Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism follows the remarkable story of the Fox sisters, who were catapulted to fame after word spread that they communicated with spirits. Within a few years tens of thousands of Americans were flocking to seances. An international movement developed. Yet forty years after those first knocks, the sisters shocked the country by denying that they had ever been in contact with the dead. Shortly after, in another stunning reversal, they changed their story again and reaffirmed their faith in the spirit world. Were the Fox sisters con artists who had taken a childhood prank too far? Or were they really in touch with “voices from beyond”?

In this riveting biography, Barbara Weisberg traces not only the lives of Kate, Maggie, and their family-including the girls’ shrewd and charismatic sister Leah-but also the social, religious, economic, and political forces that helped shape the Spiritualist movement. A vivid, compelling overview of a remarkable period in U.S. history, Talking to the Dead provokes questions about belief systems, the power of celebrity, the wish to reconcile faith and science, and the timeless quest for knowledge about life after death.

 

And Every Word is True - A Review & Giveaway

 Review

AND EVERY WORD IS TRUE

by Gary McAvoy

Truman Capote said of his nonfiction novel IN COLD BLOOD, "and every word is true". In his nonfiction book AND EVERY WORD IS TRUE Gary McAvoy raises some questions about that. There may be more to the Clutter murders than a robbery gone horribly wrong. In bringing the police notebooks of Harold Nye, former director of the Kansas Bureau of Investigation, up for auction the author found himself embroiled in a legal battle with the state of Kansas. Why was the state determined to get the papers back? The case was solved fifty years earlier and all of the lead players were deceased. Going through Nye's notebooks and copies of documents he kept regarding the case AND EVERY WORD IS TRUE posits more theories about the Clutter killings. Was the case really solved?

AND EVERY WORD IS TRUE actually tells two stories, the first is the story of the investigative notebooks of Harold Nye and the author's legal battle with the state of Kansas to auction them for Harold's son. The second is the information these notebooks contained. Although the two stories are woven together, there are distinct differences between them.

I enjoyed reading the information about the Clutter case and truly appreciated seeing photographs of the actual documents. McAvoy lets a good portion of the information speak for itself, copying the information from the documents, several of them handwritten, putting the information is an easily accessible manner then raising questions and providing other possible motives for the killings. The book is incredibly well researched and reads well enough, but doesn't have the literary craftsmanship of IN COLD BLOOD. Then again, this is a non fiction book, not a nonfiction novel and McAvoy is expounding the facts, not exploring a new art form.

The problem I had with this book is the legal battle about the notebooks. I am surprised that McAvoy won the case. As a former police officer I know that the notebooks I kept could be taken by the courts at any time. Though I bought them and wrote in them, they weren't truly mine. It is true that the Clutter case occurred over fifty years ago, the perpetrators confessed and were executed, and most everyone who was involved is now dead. The truth is that a murder case is never technically closed. What McAvoy uncovered is just one of the reasons why. New evidence may come to light, implicating someone else in the crime. While Hickcock and Perry are certainly guilty, it is quite possible that someone else was behind the killings and that someone was never brought to justice. In addition, the portions of the book relating to Ronald Nye and his family seemed over dramatized and a bit self serving.

AND EVERY WORD IS TRUE brings new information and theories regarding the Clutter case, the murders Truman Capote made famous in his nonfiction novel IN COLD BLOOD. While the writing isn't that compelling, the facts and theories are making this book a fine addition to the annals of true crime.

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And Every Word Is True

by Gary McAvoy

on Tour April 1 - May 31, 2019

Synopsis:

Truman Capote’s bestselling book “In Cold Blood” has captivated worldwide audiences for over fifty years. It is a gripping story about the consequences of a trivial robbery gone terribly wrong in a remote village of western Kansas.

But what if robbery was not the motive at all, but something more sinister? And why would the Kansas Bureau of Investigation press the Attorney General to launch a ruthless four-year legal battle to prevent fresh details of the State’s most famous crime from being made public, so many years after the case had been solved?

Based on stunning new details discovered in the personal journals and archives of former KBI Director Harold Nye—and corroborated by letters written by Richard Hickock, one of the killers on Death Row—And Every Word Is True meticulously lays out a vivid and startling new view of the investigation, one that will keep readers on the edge of their seats as they pick up where Capote left off. Even readers new to the story will find themselves drawn into a spellbinding forensic investigation that reads like a thriller, adding new perspectives to the classic tale of an iconic American crime.

Sixty years after news of the 1959 Clutter murders took the world stage, And Every Word Is True pulls back the curtain for a suspenseful encore to the true story of “In Cold Blood.”

Book Details:

Genre: True Crime, Memoir
Published by: Literati Editions
Publication Date: March 4, 2019
Number of Pages: 310
ISBN: 978-0-9908376-0-2 (HB); 978-0-9908376-1-9 (PB)
Purchase Links: Amazon Barnes & Noble iBooks Kobo Goodreads

And Every Word Is True Book Trailer

https://garymcavoy.com/websites/vm/media/AEWIT_Trailer_Final.mp4

Read an excerpt:

Over a half century ago, Special Agent Harold R. Nye of the Kansas Bureau of Investigation (KBI)—who would later become that agency’s third director—was thrust into an investigation to help solve what would eventually become an iconic tale of true crime in America: the brutal slayings of a Kansas wheat farmer, Herbert Clutter, and his wife and two children in November 1959.
A little more than 50 years later—being a dealer of rare collectible letters, photographs, manuscripts, and books—I was contacted by Harold Nye’s son, Ronald, in March 2012, revealing who his father was and what materials he had to offer for sale. As an ardent collector of historical autograph memorabilia since the 1980s, with a particular appetite for literary manuscripts and signed first editions, I felt privileged to be handling the sale of the rarest books and letters by Truman Capote—presentation copies personally given by the author to one of the principal investigators, during the time history was being made.
The books, first editions of both In Cold Blood and Capote’s earlier work Selected Writings, were each warmly inscribed by Truman to Harold Nye and his wife Joyce. That alone would generate solid interest in the sale, but this particular copy of In Cold Blood was also signed by 12 other people, including Logan Sanford, Director of the Kansas Bureau of Investigation; the other three principal investigators in the case, among them Special Agent Alvin Dewey (who fared remarkably well in the story); and the director, actors, and crew of the eponymous 1967 movie, which used the Clutter house and other area locations to produce on film a chillingly authentic portrayal of what appeared on the page. As of this writing, only three such books signed by all principal figures are known to exist.
But the two personal letters Truman had written to Agent Nye were the most tantalizing of the lot. Both were sent in 1962 from his villa in Spain, overlooking the Mediterranean on the Costa Brava, where he spent three springs and summers writing much of his book. In one letter, neatly composed on thin pages the color of wheat, Capote laments having to suffer yet another delay in finishing his book, the Kansas Supreme Court having issued a stay of execution for the killers. For the frustrated author, this meant he didn’t yet have an ending—one way or the other—and he was to endure another three years before realizing that goal, with the hanging of Richard Hickock and Perry Smith in April 1965. For a collector, this is the most vivid form of autograph correspondence: handwritten documents richly infused with direct historical impact and solid provenance.
The second letter, also in Capote’s cramped, childlike scrawl but this one on 3-holed, blue-lined composition paper, teasingly informs Nye how often he appears in the book and that “…my editor said: ‘Aren’t you making this Mr. Nye just a little too clever?’”
Along with the two signed books, then, these letters were to form the centerpiece of the auction. The rest of the material, though interesting on its own, held little tangible value to serious collectors. But it did contribute historical relevance and an in-person, chronicled authority to the auction as a whole, so we chose to offer all materials to the winning bidder—and only one bidder, since Ron Nye felt the material should stay together for historical continuity.
Sensing the gravity of the task ahead, like an eager historian I began educating myself more deeply in the Capote legacy. As I paged through Harold Nye's investigative notebooks and copies of actual case reports he had written—not digging deep, just skimming the material—I was reminded of key passages in Capote's masterwork—but they were hazy, since my first and last reading of it was the year it was published, in 1966. So I reread the book with new vigor—though now every word seemed to have fresh perspective, since I was privy to actual handwritten notes describing Nye’s interviews, his discovery of clues and gathering of evidence, his random thoughts, and a hastily penned transcript gleaned while extracting a confession from one of the killers—all of which made the experience as visceral as being on the scene in 1959.
I watched the indelible 1967 film “In Cold Blood,” as well as the 1996 TV production of the same name, followed by 2005’s film “Capote” and 2006’s “Infamous.” I absorbed Ralph Voss's skillful examination of Capote’s book, Gerald Clarke's rich biography, George Plimpton's interviews with Capote’s “friends, enemies, acquaintances and detractors,” Charles Shields’ portrait of Harper Lee, and anything else I could find that brought objective viewpoints to the table—along with many not so objective.
As prepared as one could be, then, I began assembling the material for an online catalog exhibiting the auction—excluding, ultimately, the crime scene photos, most of which were simply too gruesome to release “into the wild,” realizing well before the auction went live that we would have no control over how they might be used in the future. Not wishing that burden on our shoulders, we removed the photos from the auction, and instead voluntarily sent them to the KBI for archival disposition.
To our surprise and dismay, a few days later we were served with a cease and desist letter from the Kansas Attorney General at the instigation of the KBI, claiming among other things that Harold Nye’s personal journals were state property and were possessed of “highly confidential information.” On the face of it this was a farcical claim at best, since they had never even seen the notebooks, not to mention that it had been well over 50 years since the case was closed and those charged with the crime had been executed, as the Court itself would ultimately point out. Our position, obviously, couldn’t have been more at odds with Kansas’s reckoning, and believing we were on the right side of the law, we took on their challenge. After a grueling legal battle lasting years, it’s clear now that Kansas thought Ron and I would just roll over and be done with it. That was their first mistake.
Over the time we prepared our defense—all the while baffled as to why Kansas was so vigorously mounting an expensive, and unusually high-level campaign of suppression and intimidation—a new thesis emerged that seemed at odds with the State’s declared rationale. And the deeper we looked, the clearer that proposition became. To our thinking—not to mention the views of independent lawyers, journalists, forensic criminologists, and others who in some way touched our case—it looked more and more as if Kansas had something to hide. At the very least there was something more to this story, and I intended to find out what it was.
And therein lies their second mistake and the irony of this cautionary tale: Had the State of Kansas simply avoided such heavy-handed tactics as pressing the lawsuit against us, and publicly tarnishing Harold Nye’s good name, we might never have discovered the sensational “new” details of the Clutter case that time and opportunity revealed as our own investigation deepened. Had they not interfered in our legitimate business—to provide for the Nye family’s medical needs by selling the books, letters, and notes that rightfully belonged to his father—the KBI would not now be suffering under the weight of the embarrassing disclosures being made here.
Throughout his life Truman Capote maintained that his book was “immaculately factual,” as he told George Plimpton in a January 1966 interview. Shortly after In Cold Blood first appeared in print—in September 1965, when the story was serialized in four consecutive issues of The New Yorker magazine—critics, pundits, and others assessing the work were already taking Capote to task for inaccuracies found in his account, or as one reviewer put it, “reaching for pathos rather than realism.” Not least among these was Harold Nye, who not only lived it, but whose prominent role in the book ultimately ensured a firsthand comparison of the known facts.
But for as much as Capote added to or reshaped the brilliant telling of his story, in analyzing Harold Nye’s notebooks I found that much had been omitted from In Cold Blood, and in many cases there were surprisingly crucial details that, at the time, would have appeared in the eyes of many to be of little value. It was only when other documents came into my possession that we were able to connect the dots, alluding to something very different than was passed on to readers of In Cold Blood.
In a striking coincidence, within a matter of weeks another new client—a grandson of Garden City Undersheriff Wendle Meier, one of the central characters in the story—consigned to me the Death Row diaries, family photos and correspondence, poetry, and a whole passel of riveting memorabilia given to Wendle Meier and his wife, Josephine, by one of the killers, Perry Edward Smith, on his way to the gallows. To be clear, I have no interest dealing in the so-called “murderabilia” market. But this was becoming more of a literary mystery the likes of which few people in my position could resist.
By this point any writer would feel grateful to have such an abundance of material to work with. But later, as a result of the media coverage our case had sparked, synchronicity struck again. I came into possession of copies of handwritten letters by the other killer, Richard Eugene Hickock, which had originally been sent to Wichita Eagle reporter Starling Mack Nations. Hickock had contracted with Nations to write his “life story” while he was on Death Row To the chagrin of both Hickock and Nations, though, no publisher showed interest in the book, High Road to Hell, at the time. But it’s clear from Hickock’s remarkable memory and his command of precise details, which both Capote and case investigators marveled over, that he did have compelling things to say.
As of this writing neither the Smith diaries nor the Hickock letters have been published, and only a handful of people have seen Hickock’s letters to Mack Nations. But at least one thing is clear from putting all this material together—it appears there was a good deal more to the foundations of Capote’s story than was originally told. And if there were any doubt as to whether Ron Nye and I would just give in to the bullying tactics of a well-funded state government—saving ourselves a lot of time and money fighting a senseless battle—the new evidence coming at us from all directions made it unambiguously clear that we were on to something. And we had to believe Kansas suspected it, too.
Presented here, then, are several new hypotheses—undoubtedly bound for controversy, while nonetheless supported by facts—including one in particular that would surely have given authorities in Kansas every reason to fight as hard as it did to keep this material from being published: that robbery may not have been the motive for the death of Herbert Clutter and his family.
Despite an abundance of leads pointing in this darker direction, it appears that the original KBI investigation overlooked this fundamental possibility, one that no responsible law enforcement agency would ever rule out, given the circumstances. Indeed, this was and remained for some time coordinating investigator Alvin Dewey’s strongest opinion, and he personally knew Herb Clutter very well.
Yet despite new information coming out years later, before the killers had even been executed, the Kansas attorney general at the time appears to have adopted a stance of letting sleeping dogs lie, without further investigation. But why? As is often the case with powerful institutions, could their keen drive for self-preservation have overshadowed a full accountability of justice?
Now, nearly six decades later, and with the passing away of nearly every involved character since 1959, it’s unlikely any final determination can be made, short of a “Deep Throat” insider emerging from the shadows of time. But much of what you find here will present compelling new arguments, and I leave it to readers to draw their own conclusions.
***
Excerpt from And Every Word Is True by Gary McAvoy. Copyright © 2018 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved. May not be reproduced in any form without written permission from the author.

Author Bio:

Gary McAvoy is a veteran technology executive, entrepreneur, and lifelong writer. For several years he was also a literary media escort in Seattle, during which time he worked with hundreds of authors promoting their books—most notably Dr. Jane Goodall, with whom Gary later collaborated on “Harvest for Hope: A Guide to Mindful Eating” (Hachette, 2005).
Gary is also a professional collector of rare literary manuscripts and historical letters and books, a passion that sparked the intriguing discoveries leading up to his latest book, And Every Word Is True (Literati Editions, March 2019), a revealing look at startling new disclosures about the investigation surrounding the 1959 Clutter family murders, heinous crimes chillingly portrayed in Truman Capote's “In Cold Blood.” And Every Word Is True pulls back the curtain for a suspenseful encore to Capote’s classic tale, adding new perspectives to an iconic American crime.

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Currently Reading...

I'm currently reading And Every Word is True by Gary McAvoy.

Truman Capote said of his nonfiction novel IN COLD BLOOD, "and every word is true". In his nonfiction book AND EVERY WORD IS TRUE Gary McAvoy raises some questions about that. There may be more to the Clutter murders than a robbery gone horribly wrong. In bringing the police notebooks of Harold Nye, former director of the Kansas Bureau of Investigation, up for auction the author found himself embroiled in a legal battle with the state of Kansas. Why was the state determined to get the papers back? The case was solved fifty years earlier and all of the lead players were deceased. Going through Nye's notebooks and copies of documents he kept regarding the case AND EVERY WORD IS TRUE posits more theories about the Clutter killings. Was the case really solved?

In Cold Blood - A Review

Review

IN COLD BLOOD

By Truman Capote

On November 15, 1959 the peaceful town of Holcomb, Kansas was shattered by four shotgun blasts. Blasts that killed Herb Clutter, his wife, and two teenaged children. Blasts that forever changed the town. There appeared to be no motive. The Clutters were one of the towns most respected families. Herb was a hardworking farmer who was fair to his employees. The children were well liked and active in the community. Who could have done such a thing? And why? IN COLD BLOOD is the story of the murders, the murderers, and what happened afterward.

Truman Capote is a literary genius. His words are poetry, making his prose hauntingly beautiful even as he describes acts of a horrific nature. IN COLD BLOOD captivated me, from the opening which details the seemingly ordinary lives of the doomed family to the plans made by the murderers, providing such deep characterization, getting inside the mindset, if not the minds of both Perry Smith and Dick Hickock.

In writing IN COLD BLOOD Truman Capote created a new genre, a new "literary art form" the nonfiction novel. The story is true, real people and real events, but told in the manner of a story, a narrative. More compelling and captivating than textbook journalism, indeed, IN COLD BLOOD was an experiment by Capote to explore making journalism more literary. And he succeeded.

IN COLD BLOOD is a chilling tale of violence in America. It's a landmark book that launched a new literary style. But it's even more than that. Truman Capote is able to paint a picture with words that evoke emotions and pathos and set a stage. It's a book you'll remember long after you've put it down.

Currently Reading...

I'm currently reading In Cold Blood by Truman Capote. Published in 1966 it is considered my many to be Capote's crowning achievement.

On November 15, 1959 the peaceful town of Holcomb, Kansas was shattered by four shotgun blasts. Blasts that killed Herb Clutter, his wife, and two teenaged children. Blasts that forever changed the town. There appeared to be no motive. The Clutters were one of the towns most respected families. Herb was a hardworking farmer who was fair to his employees. The children were well liked and active in the community. Who could have done such a thing? And why? In Cold Blood is the story of the murders, the murderers, and what happened afterward.

Strange Blood - A Spotlight & Giveaway

As a departure from the usual Valentine's Day fare, I'd like to shine a spotlight on a work of non-fiction. STRANGE BLOOD: 70 ESSAYS ON OFFBEAT AND UNDERRATED VAMPIRE MOVIES edited by Vanessa Morgan. This book will be released April 2019.

Cover design: Gilles Vranckx

Blurb:

This is an overview of the most offbeat and underrated vampire movies spanning nine decades and 23 countries.

STRANGE BLOOD encompasses well-known hits as well as obscurities that differ from your standard fang fare by turning genre conventions on their head. Here, vampires come in the form of cars, pets, aliens, mechanical objects, gorillas, or floating heads. And when they do look like a demonic monster or an aristocratic Count or Countess, they break the mold in terms of imagery, style, or setting.

Leading horror writers, filmmakers, actors, distributors, academics, and programmers present their favorite vampire films through in-depth essays, providing background information, analysis, and trivia regarding the various films. Some of these stories are hilarious, some are terrifying, some are touching, and some are just plain weird. Not all of these movies line up with the critical consensus, yet they have one thing in common: they are unlike anything you've ever seen in the world of vampires.

Just when you thought that the children of the night had become a tired trope, it turns out they have quite a diverse inventory after all.

**************************************************************************

Publisher: Moonlight Creek Publishing

Author bio:

Vanessa Morgan is the author of several fiction and non-fiction books in the horror genre. Three of her stories (THE STRANGERS OUTSIDE, NEXT TO HER, and A GOOD MAN), have become movies. When she's not working on her latest book, you can find her reading, watching horror movies, digging through flea markets, or photographing felines for her blog Traveling Cats (www.traveling-cats.com).









Social media links:

Twitter: http://twitter.com/eeriestories

Amazon: http://www.amazon.com/Vanessa-Morgan/

Newsletter: http://eepurl.com/bYqgNr

Bookbub: https://www.bookbub.com/profile/vanessa-morgan-40d447c0-fdd0-409e-b43c-2f3fa5ddfaf5

***********************************************************************

Vanessa Morgan has graciously offered an e-copy of her first previous book, WHEN ANIMALS ATTACK to one lucky reader. Simply comment on this post telling us your favorite vampire film. In order to qualify, leave the comment no later than 11:59pm EDT Friday, February 15, 2019 and make sure you include your e-mail address so that I can contact you should your comment be picked. Good luck and Happy Valentine's Day!

Pistols and Petticoats - Book Blast

Pistols and Petticoats

175 Years of Lady Detectives in Fact and Fiction

by Erika Janik

March 2nd 2017 Book Blast

Synopsis:

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years.

In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.

Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.

Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.

Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Book Details:

Genre: Mystery, NonFiction, History
Published by: Beacon Press
Publication Date: February 28th 2017 (1st Published April 26th 2016)
Number of Pages: 248
ISBN: 0807039381 (ISBN13: 9780807039380)
Purchase Links: Amazon  | Barnes & Noble  | Goodreads 

Read an excerpt:

With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.
But Alice Clement was no ordinary woman.
Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”
The commissioner gasped, “She’s desperate!”
Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.
Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.
“I’ve come prepared.”
Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.
Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.
Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.
Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.
It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.
She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”
Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.
One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.
Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”
The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.
When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.
Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.
Excerpt from Pistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik. Copyright © 2016 & 2017 by Beacon Press. Reproduced with permission from Beacon Press. All rights reserved.

Readers Are Loving Pistols and Petticoats!

Check out this awesome article in Time Magazine!
“Erika Janik does a fine job tracing the history of women in police work while at the same time describing the role of females in crime fiction. The outcome, with a memorable gallery of characters, is a rich look at the ways in which fact and fiction overlap, reflecting the society surrounding them. A treat for fans of the mystery—and who isn’t?” ~ Katherine Hall Page, Agatha Award–winning author of The Body in the Belfry and The Body in the Snowdrift
“A fascinating mix of the history of early policewomen and their role in crime fiction—positions that were then, and, to some extent even now, in conflict with societal expectations.” ~ Library Journal
“An entertaining history of women’s daring, defiant life choices.” ~ Kirkus Reviews

Author Bio:

Erika Janik is an award-winning writer, historian, and the executive producer of Wisconsin Life on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.

Catch Up With Our Ms. Janik On: Website , Goodreads , Wisconsin Public Radio , & Twitter !

 

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This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Erika Janik and Beacon. There will be 5 winners of one (1) print copy of Pistols and Petticoats by Erika Janik. The giveaway begins on March 3rd and runs through March 8th, 2017. The giveaway is open to residents in the US & Canada only.

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