Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Sunday, August 9, 2026

The Magdalene Deception - A Review, Excerpt, & Giveaway

 Review


THE MAGDALENE DECEPTION by Gary McAvoy
The First Book of The Magdalene Chronicles 
 
Father Michael Dominic is excited to start his new job working in the Vatican’s legendary Secret Archives. An accidental discovery soon leads the Jesuit on a search for answers. His new Swiss Guard friend introduces Michael to his cousin, Hana Sinclair, an investigative reporter. Hana is working on a story about Jewish gold stole by the Nazis and since her research aligns with Michael's the two team up. Their adventures lead them to a papyrus written by Mary Magdalene whose truth could upset the entire Catholic Church. Unbeknownst to the pair, a cardinal with unholy aspirations wants them stopped. Will the truth be revealed? Will they keep the secret? Or will they be stopped before they can make that decision.
 
Fascinating. That word sums up THE MAGDALENE DECEPTION for me. I absolutely love learning new things and having been raised Roman Catholic I enjoy learning its true history. This book, though fictional, is alive with true historical facts, making the story that much more enthralling. I appreciate that the author adds a section at the end of the novel explaining what's factual, what's not, as well as what's a mixture. There's a lot of research here, not only done by the author, but practiced by his characters as well. 
 
I really enjoyed the first book of the Magdalene Chronicles. The characters are appealing and I enjoyed seeing all of the connections. One of my favorite characters is Brother Calvino Mendoza who unknowingly sets the adventure in motion. I appreciate that the book's unflinching look at the Church's history while also enjoying the modern day thrills.
 
A compelling thriller featuring Vatican intrigue, fascists, and religious history THE MAGDALENE DECEPTION is an engrossing novel that successfully combines history, research, technology, and excitement in a fun read.
 
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The Magdalene Deception by Gary McAvoy Banner

THE MAGDALENE DECEPTION

by Gary McAvoy

August 3-28, 2026 Virtual Book Tour

Synopsis:

THE MAGDALENE DECEPTION by Gary McAvoy

THE MAGDALENE CHRONICLES

A forbidden secret...
The Church’s fate in the balance…
Will a pair of amateur sleuths expose a truth that could upend the Christian world?

Jesus’ resurrection is a cornerstone of Christian faith. But when a clue surfaces that hints at an alternate account, the ramifications stand to change Christianity forever.

Jesuit priest Michael Dominic’s assignment to the Vatican’s legendary Secret Archives results in his discovery of a hidden papyrus: the unpublished writings of Mary Magdalene — a lost record buried in Rome’s deepest recesses. The forgotten relic’s heretical revelation threatens the Vatican’s very legitimacy, and pits Michael against ruthless and powerful enemies.

Desperate, he reaches out to Hana Sinclair, an investigative reporter with a record of tackling contentious subjects. Together they defy the Church elite, and embark on a search through the shadows of history to unearth the truth. As the pressure builds to silence the pair, will the Vatican resort to the unthinkable in order to safeguard its wealth and power?

Based on historical facts, this international thriller takes readers on a white-knuckle race through the holy sites of Europe. Get your copy of this award-winning tale and discover why Gary McAvoy’s devoted fans say, “I didn’t want this book to end!”

Praise for The Magdalene Deception:

"A great thriller that weaves numerous storylines together effectively. Recommended to those who love a good thriller with historical implications, as well as the reader who enjoys Vatican and Catholic politics… McAvoy creates a wonderful story that never stops building throughout… [He] captures the secrecy and deep-rooted history of the Vatican and its politics throughout this piece, with a strong story and plot that moves in many directions. McAvoy pulls the reader in and keeps them guessing, while also refusing to place a damper on the action. Juggling modern and ancient Church issues, McAvoy does not lose his reader at any point, as his writing is so clear that the attentive reader will likely want more."
~ MATT PECHEY, REEDSY DISCOVERY.

"Exquisitely written and highly entertaining, The Magdalene Deception is an investigative mystery in a very similar vein to The DaVinci Code…The real quality to this book is the author himself – the writing is superb. There is an outstanding attention to detail in McAvoy, and the setpieces he weaves are vivid, colourful and authentic; this author treats his audience as intelligent and attentive, and this is always hugely beneficial to any writer. As well as being an evidently well-educated historian, McAvoy also knows his stuff in terms of modern-day information networking and the technology in present day use alongside ancient practices and customs…"
~ MATT McAVOY BOOK REVIEWS (UK)

The Magdalene Deception Trailer:

Book Details:

Genre: Vatican Historical Thrillers
Published by: Literati Editions
Publication Date: July 1, 2020
Number of Pages: 368
ISBN: 9780990837664 (ISBN10: 0990837661)
Series: The Magdalene Chronicles, #1
Book Links: Amazon | KindleUnlimited | Barnes & Noble | BookShop.org | Goodreads | BookBub

Read an excerpt from The Magdalene Deception:

Prologue

Southern France – March 1244

The relentless siege of the last surviving Cathar fortress, perched strategically on the majestic peak of Montségur in the French Pyrenees, entered its tenth month.

The massive army of crusaders dispatched from Rome, thirty thousand strong, were garbed in distinctive white tunics, their mantles emblazoned with the scarlet Latin cross. Knights commanders led hordes of common foot soldiers, some seeking personal salvation, others simply out for adventure and the promise of plunder. They had already devastated most of the Languedoc region of southern France in the years preceding. Tens of thousands of men, women, and children had been slain, regardless of age, sex or religious belief. Entire villages were burned, rich crops destroyed, and the fertile land which yielded them was poisoned in a cruel, single-minded quest to root out and extinguish a small and peaceful, yet influential mystic order known as the Cathars.

The defeat of the impregnable Montségur remained the ultimate prize for the Church’s troops. Rumors of a vast treasure had reached the ears of every soldier, stirring up the passion with which these feared European mercenaries carried out their holy mission. As was the customary practice during a crusade, whatever pillage remained after the plundering—spolia opima, the richest spoils for supreme achievement—could be claimed by the victor. That temptation, bonded by the personal assurance of the pope that all sins would be forgiven and their paths to heaven assured, was enough to seduce anyone, nobleman or peasant, to take up cudgel, pike, or arrow in the name of God.

In 1209, Pope Innocent III had ordered a Holy Crusade to crush the spirit and, if necessary, the life of each and every dissident in the Languedoc region bordering France and Spain.

This independent principality had distinguished itself by fostering an artistic and intellectual populace well beyond that of most northern European societies at the time. The people of the Languedoc practiced a religious tolerance that encouraged spiritual and secular diversity. Schools teaching Greek, Hebrew and Arabic languages and the customs which accompanied them flourished, as did those espousing the Kabbalah, an occult form of Judaism that dated from the second century.

Most settlers in the Languedoc viewed Christianity with the utmost repugnance; at the very least its practices were perceived as being more materialistic than godly in nature. The irreligious of the region passed over Christianity in large part due to the scandalous corruption exhibited by its local priests and bishops who, unable to influence the heathens within their provinces, came to prefer the rewards of commerce and land ownership over the tending of a meager flock.

Consequently, the authorities in Rome felt compelled to deal with this unforgivable heresy once and for all, in towns such as Toulouse and Albi within the Languedoc area.

Consigning his troops to their commanders, Pope Innocent III invoked a special benediction to all, lauding the divinity of their mission. Asked how they might distinguish their Christian brethren from the heretics, the crusaders were simply told, “Kill them all. God will spare His own.”

And so the Albigensian Crusade began.

The new moon cast no light over Montségur as night fell on the first day of March 1244, obscuring not only the hastened activities of its occupants, but the lingering threat conspiring outside its walls. A dense alpine fog had settled over the mountain, and the castle that straddled its inaccessible peak had withstood nearly a year of unceasing battle.

Weakened by the tenacity of their predators and yielding to the hopelessness of their situation, Raymond de Péreille, Lord of Château du Montségur and leader of the remaining four hundred defenders, commanded his troops to lay down their arms, and descended the mountain to negotiate terms of their capitulation.

Though offered lenient conditions in return for their surrender, de Péreille requested a fourteen-day truce, ostensibly to consider the terms, and handed over hostages as an assurance of good faith. Knowing there was no alternative for their captives—nearly half of whom were priest-knights, or parfaits, sworn to do God’s work—the commanders of the pope’s regiment agreed to the truce.

Over the next two weeks, reprieved from the constant threat of attack they had been enduring for months, the inhabitants of Montségur resolved to fulfill their own destiny before relinquishing their fortress—and their lives—to the Inquisition.

On the last day of the truce, as if guided collectively by a single will on a predestined course, the surviving members of the last Cathar settlement made special preparations for their departure.

Four of the strongest and most loyal of the parfaits were led by Bishop Bertrand Marty, the senior abbé of the fortress, as they descended deep within the mountain down a long, stepped passageway carved into alternating layers of earth and limestone. The end of the passage appeared to be just that, as if the original tunnelers had simply stopped work and retreated without finishing the job. But, while the others held torches, Abbé Marty withdrew a large rusted key-like wedge from beneath his cassock, and thrust it into a hidden cavity near the low ceiling.

The abbé manipulated the key for a few moments. A muffled sound of grating metal from beyond the stone wall echoed through the tunnel, and the seemingly impenetrable granite slid inward slightly, revealing a door.

Aided by the parfaits, the door swung open into a small dank chamber filled with an enormous cache of riches—gold and silver in varied forms, gilded chalices and bejeweled crosses, an abundance of gems and precious stones, overflowing bags of coins from many lands.

And, in a far corner removed from the bulk of the treasure itself, stood a wide granite pedestal on which rested an ornately carved wooden reliquary, crafted to hold the most holy of relics, next to which sat a large book wrapped in brown sackcloth.

Standing before the legendary treasure of the Cathars—glittering and hypnotic in the dim torchlight—would prove seductive for most men. But the Albigensians held little regard for earthly goods, other than as a useful political means to achieve their spiritual destiny. Ignoring the abundant wealth spread before them, the abbé fetched the sackcloth while the other four parfaits hoisted the ancient reliquary to their shoulders, then they left the room and solemnly proceeded back up the granite stairway. In the thousand-year history of the Cathars, these would be the last of the order ever to see the treasure.

But the most sacred relic of the Christian world would never, they vowed, fall into the unholy hands of the Inquisition.

Emerging from the stone passage, Abbé Marty led the parfaits and their venerable cargo through the hundreds of waiting Cathars who had assembled outside, forming a candlelit gauntlet leading to the sanctuary. All were dressed in traditional black tunics, all wearing shoulder-length hair covered by round taqiyah caps as was the custom of the sect.

Once inside, the parfaits lowered the reliquary onto the stone altar. The abbé removed the ancient book from the sackcloth and began the sacred Consolamentum, a ritual of consecration, while the four appointed guardians prepared themselves for their special mission.

Armed with short blades and truncheons, the parfaits carefully secured the reliquary in the safety of a rope sling, then fastened taut harnesses around themselves.

“Go with God, my sons,” Abbé Marty intoned as he gave them his blessing, “and in His name ensure this sacred reliquary be protected for generations to come.”

The four men climbed over the precipice and, assisted by their brothers gripping the ropes tied to their harnesses, gently and silently rappelled hundreds of meters down the escarpment. Sympathizers waiting at the base of the mountain assisted the parfaits in liberating their holy treasure, guiding them away from the danger of other troops and hiding them and the reliquary deep in one of many nearby caves.

Throughout the night, those remaining at Montségur celebrated their brotherhood, their holy calling, and their last hours alive. Descending the mountain the next morning, in a state of pure spiritual release from the material world, Abbé Marty led the last of the Cathars as they willingly marched into the blazing pyres awaiting them, martyrs to their cause.

The holy reliquary of the Cathars has never since been found.

Chapter 1

Present Day

Rounding the northern wall of the Colosseum with a measured stride, a tall young man with longish black hair glanced at the Tag Heuer chronometer strapped to his left wrist. Noting the elapsed time of his eighth mile, he wiped away the sweat that was now stinging his eyes.

Damn this Roman heat. Not even sunrise, and it’s already a scorcher.

Approaching the wide crosswalks flanking the west side of the immense Colosseum, he wondered if this was the morning he would meet God. Dodging the murderous, unrestrained traffic circling the stadium became a daily act of supreme faith, as the blur of steel subcompacts, one after another, careened around the massive structure on their way, no doubt, to some less hostile place. Since his arrival here he had discovered that this was the way with Italian motorists in general, though Roman drivers excelled at the sport. Veteran observers could always tell the difference between natives and visitors: a local would cross the road seemingly ambivalent to the rush of oncoming traffic. Non-Romans, who could as likely be from Milan as from Boston or Paris, approached the threat of each curb-to-curb confrontation with a trepidation bordering on mortal terror.

Crossing the broad Via dei Fori Imperiali, his route took him through the Suburra, the most ancient inhabited area of Rome and off the beaten path of most tourists. As a newcomer to a city whose normal pulse was barely evident beneath the confusing ambiguities of new and old, the runner felt most comfortable here in the Suburra, a semi-industrial working-class neighborhood, much like the one he only recently left in New York. In the summer, people got up early to tend their gardens before the real heat forced them indoors. The early morning air was thick with alternating scents of Chilean jasmine, honeysuckle and petrol fumes.

He ran another ten kilometers, long blooms of sweat accentuating a lean, muscular frame beneath a gauzy white t-shirt as he burst into a sprint up the final few blocks, past the empty trattorias and shuttered shops whose merchants were just beginning their morning rituals.

Slowing to a cool-down pace as he crossed the Sant'Angelo bridge spanning the Tiber River, he turned left up Via della Conciliazione as the massive dome of Saint Peter's Basilica loomed suddenly ahead. Though it could be seen from almost anywhere in Rome, this approach always gave him the impression that the dome seemed to tip backwards, being swallowed up by the grand facade of the church the closer he got to it.

"Buongiorno, padre.” Several female voices, almost in unison, broke the cobblestone pattern of his reverie.

Father Michael Dominic looked up and smiled politely, lifting his hand in a slight wave as he swiftly passed a small cluster of nuns, some of whom he recognized as Vatican employees. The younger women blushed, leaning their hooded heads toward each other in hushed gossip as their eyes followed the handsome priest; the older women simply bobbed a chilly nod to the young cleric, dutifully herding their novitiates into obedient silence on their way to morning Mass.

Though he had only been in Rome a couple of weeks, Michael Dominic's youthful exuberance and keen intellect had become known quickly throughout the cloistered population of Vatican City, setting him apart from the more monastic attitudes prevalent since the Middle Ages.

But despite the fusty parochialism and an atmosphere of suspended time he found within its walls, Dominic still felt the intoxication of privilege at having been assigned to Rome so early in his religious career. It had not been even two years since he lay prostrate at the altar of St. Patrick’s Cathedral in New York City, to be ordained by his family friend and mentor Cardinal Enrico Petrini.

It was no secret to Vatican insiders that the eminent cardinal's influence was chiefly responsible for Dominic's swift rise to the marbled corridors of ecclesiastical power now surrounding him. The young priest’s scholarly achievements as a classical medievalist were essential to the work being done in the Vatican Library. But the progressive cardinal also was grateful for the vitality Dominic brought to his vocation, not to mention the charismatic ways in which he could get things accomplished in an otherwise plodding bureaucracy. Though Dominic could not account for his mentor’s vigorous inducement that he come to Rome—and knowing this particular prince of the Church so well, it was surely more than a familial gesture—he had trusted Enrico Petrini completely, and simply accepted the fact that this powerful man had believed in him strongly enough to give him an opportunity which he most certainly would not have had otherwise.

Pacing slower now, Dominic drew in rhythmic gulps of searing air as he neared the Vatican. A block or so before reaching the gate, he stepped inside the Pergamino Caffè on the Piazza del Risorgimento. Later in the day the cramped room would be filled with tourists seeking postcards and gelato, but mornings found it crowded with locals, most nibbling on small, sticky cakes washed down with a demitasse of thick, sweet coffee.

Across the room Dominic spotted Signora Palazzolo, the ample wife of the proprietor, whose wisps of white hair were already damp with perspiration. Seeing the priest approach, the older woman’s face broke into a broad, gap-toothed smile as she reached beneath the counter and withdrew a neatly folded black cassock that Dominic had dropped off earlier, which she handed to him with deliberate satisfaction.

Buongiorno, padre,” she said. “And will you take caffè this morning?”

Molto grazie, signora,” Dominic said, accepting the cassock graciously. “Not today. I’m already late as it is.”

“Okay this time,” she said with a gently scolding tone, “but it is not healthy for a strong young man to skip his breakfast, especially after making his heart work so hard in this unforgiving heat.” Her hand reached up to wipe away the dampness as she spoke, coifing what little hair she had left in a vain attempt to make herself more attractive.

Heading toward the back of the shop, Dominic slipped into the restroom, quickly washed his face and raked his hair into some semblance of order, then drew the cassock over his head and buttoned it to the starched white collar now encircling his neck. Emerging from the restroom minutes later and making for the door, he glanced back to see the signora waving to him, now with a different look on her face—one beaming with respect for the clergyman he had suddenly become, as if she herself had had a role in the transformation.

Of the three official entrances to the Vatican, Porta Sant’Anna, or Saint Anne’s Gate, is the one generally used by employees, visitors and tradesmen, situated on the east side of the frontier just north of Saint Peter's Square. Although duties of security come first, guards at all gates also are responsible for monitoring the encroachment of dishabille into the city. Dominic learned from an earlier orientation that casual attire of any sort worn by employees or official visitors was not permitted past the border. Jeans and T-shirts were barely tolerated on tourists, but the careless informality of shorts, sweatpants or other lounging attire on anyone else was strictly forbidden. An atmosphere of respect and reverence was to be observed at all times.

Vatican City maintains an actual live-in population of fewer than a thousand souls, but each workday nearly five thousand people report for duty within the diminutive confines of its imposing walls—walls originally built to defend against the invading Saracens a thousand years before—and the Swiss Guards at each gate either recognize or authenticate every person coming or going by face and by name.

One of the Guards whom Dominic had recognized from previous occasions, dressed in the less formal blue and black doublet and beret of the corps, waved him through with a courteous smile as Dominic reached for his ID card.

“It is no longer necessary to present your credentials now that you are recognized at this gate, Father Dominic,” the solidly built young guard said in English. “But it is a good idea to keep it with you just in case.”

Grazie,” Dominic responded, continuing in Italian, “and it would be helpful to me if we could speak the local language. I haven’t used it fluently since I was younger, and I am outnumbered here by those who have an obvious preference. You know, ‘When in Rome….’”

The guard’s smile faded instantly, replaced by a slight but obvious discomfort as he attempted to translate, then respond to Dominic’s rapid Italian.

“Yes, it would be pleasure for me, padre,” the young soldier said in halting Italian, “but only if we speak slowly. German is native tongue of my own home, Zurich, and though I speak good English, my Italian learning have only just started; but I understand much more than I speak.”

Dominic smiled at the younger man’s well-intended phrasing. “It’s a deal then. I’m Michael Dominic,” he said formally, offering a sweaty palm.

“It is an honor meeting you, Father Michael. I am Corporal Dengler. Karl Dengler.” The guard’s face brightened at the unusual respect he was accorded, as he extended his own white-gloved hand in a firm grip. Recently recruited into the prestigious Pontificia Cohors Helvetica, the elite corps of papal security forces more commonly known as the Swiss Guard, Dengler had found that most people in the Vatican—indeed, most Romans—were inclined to keep to themselves. It was never this difficult to make friends in Switzerland, and he welcomed the opportunity to meet new people. He also knew, as did everyone by now, that this particular priest had a powerful ally close to the Holy Father.

“An honor for me as well, Corporal,” Dominic said a bit more slowly, yet not enough to cause the young man further embarrassment. “And my apologies for soiling your glove.”

“No problem,” Dengler said as he smiled. “With this heat it will be dry in no time. And if you ever want a running partner, let me know.”

“I’ll take you up on that!” Michael said with a wave as he passed through the gate.

Already the Vatican grounds were bustling with activity. Throngs of workers, shopkeepers and official visitors with global diversities of purpose made their way along the Via di Belvedere to the myriad offices, shops and museums—any indoor or shaded haven, in fact, that might offer escape from the heat of the rising sun.

Another Swiss Guard stood commandingly in the center of the street—looking remarkably dry and cool, Dominic thought, despite the obvious burden of his red-plumed steel helmet and the traditional billowy gala uniform of orange, red and blue stripes—directing foot and vehicular traffic while smartly saluting the occasional dignitaries passing by.

To any observer, Vatican City appears to be in a state of perpetual reconstruction. Comprising little more than a hundred acres, the ancient city state is in constant need of repair and maintenance. Architectural face-lifts, general structural reinforcement and contained expansion take place at most any time and in various stages, manifested in the skeletal maze of scaffolding surrounding portions of the basilica and adjoining buildings. Sampietrini, the uniquely skilled maintenance workers responsible for the upkeep of Saint Peter's, are ever-present throughout the grottoes, corridors, and courtyards as they practice time-honored skills of the artisans who have gone before them, traditionally their fathers and their fathers’ fathers. It was quite probable, in fact, that a given sampietrino working on, say, a crumbling cornerstone of the basilica itself, could very well be shoring up work that was originally performed by his great-great-grandfather more than a century before him.

Dominic walked to the end of the Belvedere, then turned right up the Stradone dei Giardini and alongside the buildings housing the Vatican Museums, until he reached the northern wall of the city.

A priest learns early that his life will suffer many rituals, and in at least one secular aspect, Michael Dominic’s was no different. Every day he ended his morning run with a meditative walk along the inner walls surrounding the immaculately maintained papal gardens. The fact that many of the same trees that lined the paths have been rooted here for centuries—serving the contemplative needs of whichever pope might be ruling at the time—gave Dominic a more natural feeling of historical connectedness, in subtle contrast to other abundant yet more imposing, reminders of where he now happened to be living and working.

“Ah! Good morning, Miguel.” It was a gentle breeze of a voice, yet Dominic recognized it clearly in the early, warm quiescence of the Vatican gardens.

Buongiorno, Cal!” Dominic said brightly. Brother Calvino Mendoza, prefect of the Vatican Archives and Dominic’s superior, was approaching the entrance to the building. Clad in the characteristic brown robe and leather sandals of his Franciscan order, Mendoza was a round, timorous man in his seventies—quite pleasant to work with, Dominic thought, if a little indiscreet in his obvious affection for men.

“You are up early today,” Mendoza said in heavily-accented English, furtively appraising Dominic’s form beneath the cassock. “But then, defying the wicked heat and traffic of Rome is best done before sunrise, no?”

“It is, yes,” Dominic laughed easily, his damp hair glistening in the sun as he shook his head in amusement, “but in another hour or so I expect the pavement to start buckling.”

Dominic had come to enjoy Mendoza’s fey demeanor and playful flirting. Nearly everyone he had met here seemed overly stern and impassive to be really likable, and Dominic was naturally drawn to people he found more hospitable anyway. This gentle man had a quick mind for humor and was never, Dominic found, lacking for a proverb appropriate to the moment. It was also common for Mendoza to call many on his staff by the Portuguese equivalent of their name, maintaining an affectionate cultural touchstone to his native home of Brazil. As for the subtle intimations, Mendoza grasped early on that Dominic’s vow of chastity was not likely to be compromised, and particularly not by another man.

“You’ll get used to it,” Mendoza nodded, smiling. “It is worse in the mornings, to be sure, but come late afternoon we are blessed by the ponentino, a cool wind off the Tyrrhenian Sea.

“And besides,” he quipped, “’To slip upon a pavement is better than to slip with the tongue—so the fall of the wicked shall come speedily.’” He finished by glancing around the garden with mock suspicion, as if every word were prey to overcurious but unseen ears.

“‘Ecclesiastes,’” Dominic responded. “And thanks for the admonition.”

Pleased that the young priest indulged his occasional whimsy, Mendoza shuffled up the few steps of the entrance to the Archives.

“Now, come Miguel, your days of orientation are over. Let’s get on with the real work,” he said dramatically, his arms nearly flapping as his large body moved up the steps into the Archives. “Today is a very special day.”

“I’ll catch up with you shortly, Cal. I’ve got to take a quick shower first. But why is today so special?”

From the top of the steps, Mendoza turned around to face Dominic and, like a child with a tantalizing secret, whispered with barely contained excitement, “The treasures we are about to exhume have not been seen by any living soul for several hundred years.”

Clearly a man who enjoyed his work, Calvino Mendoza’s eyes gleamed with anticipation as he lifted one heavy eyebrow in an arch, then spun as quickly as his heavy frame would allow and disappeared through the heavy wooden door.

As Dominic walked back to his apartment at the Domus Santa Marta, the resident guesthouse just south of Saint Peter’s Basilica, two men in a golf cart were heading in his direction, both dressed in the familiar black and red garb of cardinals. The cart stopped directly in his path and one of the men stepped out, approaching him.

“Father Dominic, I presume?” The heavyset man had a thick Balkan accent, with an intelligent face bearing an inscrutable mask of expression.

“Yes, Eminence? How can I help you?” Dominic said.

“I am Cardinal Sokolov, prefect of the Congregation for the Doctrine of the Faith. I simply wanted to extend a hand of welcome on behalf of those of us who have been expecting you.”

Dominic recognized the cardinal’s department, better known as the infamous Office of the Holy Inquisition before someone had come up with a less diabolical name.

“Good to meet you, Your Eminence,” he said, surprised by the comment. “I didn’t realize anyone was actually expecting me, though.”

“Oh, yes,” Sokolov said, holding Dominic’s hand in an uncomfortably firm grip as they shook. “Having Cardinal Petrini’s endorsement carries a great deal of influence here. But it also comes with certain expectations. First and foremost, keep to yourself. Do not expect to make many friends here. One is surrounded by vipers masquerading as pious souls.

“Secondly, know that you are being watched at all times. Conduct yourself appropriately and you may survive your time here. There are many who were vying for your job as scrittore in the Secret Archives, and they will seek any opportunity to displace you.

“Lastly,” the cardinal said scowling, his eyebrows a black bar across his fleshy face, “come to me directly if you witness or suspect anyone of illicit or unbecoming activities. Such careful scrutiny will be viewed with admiration by His Holiness, for whom I speak in this regard.”

Dominic was dumbfounded by the audacity of the man’s welcome, hardly the tone he would have imagined and one that shed a darker light on his exhilaration at now working and living in the Vatican.

“I will keep all that in mind, Eminence,” he said, forcibly pulling back his hand from the cardinal’s cloying grasp.

Sokolov stood a moment longer appraising Dominic’s face, then turned and shuffled himself back into the golf cart, which pulled away with a mounting whine as it headed into the papal gardens.

Troubled by the encounter, Dominic returned to his apartment, the fresh burdens expected of him weighing on his mind. What have I gotten myself into? he thought, stepping into the shower.

***

Excerpt from The Magdalene Deception by Gary McAvoy. Copyright 2020 by Gary McAvoy. Reproduced with permission from Gary McAvoy. All rights reserved.

 

 

Author Bio:

Gary McAvoy

Gary McAvoy is an American novelist known for internationally bestselling thrillers that blend historical intrigue, religious scholarship, and modern suspense. A lifelong researcher of rare manuscripts and Church history, he draws on extensive archival study to craft narratives rooted in authentic detail. His work includes the Vatican Secret Archive Thrillers, the Magdalene Chronicles, and the Vatican Archaeology Thrillers. Before turning to fiction, McAvoy built a distinguished career as an entrepreneur, technology consultant, and collector of historical documents. He now writes full time from the Pacific Northwest, where he continues to explore the shadowed crossroads of faith, power, and history.

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Friday, March 27, 2026

Vengeance in Venice - A Review

 Review


VENGEANCE IN VENICE by Erica Ruth Neubauer
The Seventh Jane Wunderly Mystery

After an impromptu wedding in Scotland, nearly getting killed on a business trip in India, and becoming bored back in London, Jane Wunderly and Redvers decide to go on an actual honeymoon. Traveling to Italy their romantic trip takes an unexpected turn when Aunt Millie and her husband check into the very same hotel! They have been invited to Venice and a costume party by Millie's new friend, socialite Clara Morton, and insist that Jane and Redvers accompany them to the event. Surprised by the dilapidated looking palazzo they're stunned by what waits for them inside. It's a carnival with acrobats and even a Tarot reader, who just happens to be a young woman Jane met years ago in India. Even more shocking than the half dressed hostess with a boa constrictor draped around her is the dead body of her ex-husband in the garden. With Clara accusing Deanna, the Tarot reader, of murder Jane and Redvers find themselves spending their honeymoon on the hunt for a killer. 

I absolutely love this series and one of my favorite things about it is the various places I get to visit vicariously. Visiting Venice was a real treat with descriptions of the canals ancient streets, and architectural details, not to mention the food, even though I dislike seafood. It was fascinating as it didn't dawn on me that people could rent boats and travel via the canals alongside the gondoliers.

VENGEANCE IN VENICE is filled with unforgettable characters. Aunt Millie is back, making me laugh at her outlandish ways, but its the scandalous Clara Morton who is truly one of a kind. Revealing clothing that leaves her practically nude, exotic pets ( I love Carmine!) and avante garde behavior make her truly memorable, if not very likeable. What's even more amazing is that this character is based on a real person! The cast of unconventional and generally unpleasant characters became a hodgepodge of suspects and motives and made Jane and Redvers all the more appealing in their steadfast approach to their investigation and each other. 

A honeymoon turned murder investigation VENGEANCE IN VENICE brings 1920s Venice to life. I look forward to seeing what exploits our intrepid couple encounter next!

Wednesday, March 25, 2026

Currently Reading...

I just finished reading Vengeance in Venice by Erica Ruth Neubauer. This book is the seventh in the Jane Wunderly Mystery series and will be released next week.

After an impromptu wedding in Scotland, nearly getting killed on a business trip in India, and becoming bored back in London, Jane Wunderly and Redvers decide to go on an actual honeymoon. Traveling to Italy their romantic trip takes an unexpected turn when Aunt Millie and her husband check into the very same hotel! They have been invited to Venice and a costume party by Millie's new friend, socialite Clara Morton, and insist that Jane and Redvers accompany them to the event. Surprised by the dilapidated looking palazzo they're stunned by what waits for them inside. It's a carnival with acrobats and even a Tarot reader, who just happens to be a young woman Jane met years ago in India. Even more shocking than the half dressed hostess with a boa constrictor draped around her is the dead body of her ex-husband in the garden. With Clara accusing Deanna, the Tarot reader, of murder Jane and Redvers find themselves spending their honeymoon on the hunt for a killer.

Friday, July 19, 2024

Pentimento Mori - An Interview & Review

I'm pleased to welcome Valeria Corciolani to Cozy Up With Kathy today. Valeria writes the Edna Silvera Mystery series. PENTIMENTO MORI is the first book in the series and the first of her fourteen novels to be translated into English.

Kathy: In PENTIMENTO MORI we meet Dr. Edna Silvera, a renowned art historian. Are you an art lover? Do you have a favorite style of art or era?

VC: Art has always fascinated me. I’ve studied it all my life. Art reflects the tastes, customs, and fashions of a unique historical moment and each period has its own way of expressing itself in painting, sculpture, music, and dance. Each period has its own unique glories and fascinations. I can’t possibly choose one over another!


Kathy: What do you find most intriguing about art history?

VC: I’m most fascinated by the “grammar” that runs underneath it: the choice of one color over another, the brushstrokes, the symbology, the signs... in short, the whole universe of details that is there to reveal what is beyond the obvious and the visible, the clues to hidden worlds. It’s a little bit like what happens in detective stories. And above all what fascinates me is its intrinsic fairness. I know that sounds like an odd thing to say so I’ll let Edna explain. “… museums are born specifically to give us this: a feeling of well being without having to do anything other than open ourselves to beauty. … That is why art was born. Art helps us rediscover what we are, to break down the expectations that surround us from our first breath, the idea that we have to become a particular “someone” in order to be happy. Instead, all we need to do is experience what is around us. That’s it. Because the magic of art lies here: art doesn’t ask us to become anything different from what we already are. Art is made for everyone and belongs to anyone,” Edna smiles. “Art is fair. Like chaos, but less messy.”


Kathy: Edna finds a medieval painting in a junk shop. Have you ever discovered a treasure someone unknowingly discarded?

VC: Haha. Unfortunately, no. But the fun of writing (and reading!) also lies in trying to make real what “lives” in your imagination so I guess, in a way, maybe I have. And they do say that “life imitates art,” so who knows?


Kathy: What first drew you to mysteries?

VC: As someone said: “Noir is not a genre. It’s a color, a mood, a sensation.” I just said that “life imitates art,” but art is also about life. And that’s the most fascinating aspect of the mystery genre. The plot, the investigation, the case to be solved, these are only tools that allow me to observe and, I guess, plunder, the vibrant life that teems around us, to look at life from a new perspective. For example, I am never able to draw a clear division between “good” characters and “bad” ones. Can you do that in real life? Everyone has good and bad in them. It’s precisely the defects and weaknesses that make a good character – or even a good person – three-dimensional and give them substance. To me, a good mystery is not just about understanding the how but above all the why. That is, what leads a character to do what they do and why they choose to cross the line between the legal and the illegal, to rebel against society and carry out a criminal act. This has a long tradition in Italian Noir going back to the father of the Italian murder mystery, Augusto De Angelis. Before De Angelis, Italian murder mysteries had been copies of the British ones. De Angelis, with his focus on the human aspect, made them uniquely Italian. So yes, my affection goes to both “good” and “bad” characters and I doubt that in my pages you will ever find really good guys and really bad guys.


Kathy: Do you write in any other genres?

VC: Yes, my penultimate novel is literary fiction. LA REGINA DEI COLORI (THE QUEEN OF COLORS) tells the story of Clotilde Podestà, an acclaimed interior designer, who suddenly, after having spent her first sixty years of life dealing with shades and colors, completely loses her color vision due to a rare illness and finds herself catapulted into a universe made only of whites, blacks and shades of gray which, as she claims, are a lot more than fifty! So, after being gone for many years, she decides to return to her hometown. As Clotilde re-engages with her family, she upsets the balance of things, her new way of seeing giving her a different perspective on her life and the lives of others. The absence of color in this novel becomes a sort of metaphor and a key to entering to enter the new and the unknown.


Kathy: Tell us about your series.

VC: I’ve been wanting to include the rich world of art in my writing for a while now. I find it fascinating, full, as it is, of clues and mysteries. And so Edna Silvera was born, a highly talented art historian and restorer with a life spent paying attention to detail. Fifty-seven years old, she has recently left her university professorship to dedicate herself to her research. She often ends up getting into trouble, and for this very reason she prefers to remain isolated in her house on the Ligurian hills, far from everything and everyone, in the company only of her cat Cagliostro and her chickens who adore the music of ABBA and are named after movie stars. But, obviously, not everything goes as she hopes... This is a series completely different from my other series, whose protagonists were the maid Alma Boero and the police inspector Jules Rosset, a native of the mountainous Valle d’Aosta region who has been transplanted to the shores of Liguria. Edna and Alma are very different both in age and life experiences: one is the single mother of four children, the other from the baby point of view has only had to deal with the Baby Jesuses of the paintings that she studied and cleaned, and therefore accustomed to dealing only with herself... they are opposites, in short. Edna and Alma have in common the ability to observe, they both have to do a job that sharpens their gaze, every day the maid Alma enters into the folds of the micro universes that she tidies up and cleans, an occupation that inevitably leads her to discover “things” and sometimes see and grasp more than she would like. How are they similar? They are two women. Each with their own baggage, but united by the same pride and the similar desire to be true to themselves. Now that I think about it, they are also united by an obstinate desire to get to the bottom of things, even when they know they should just leave well enough alone!


Kathy: Do you have a favorite character? If so, who and why?

VC: Perhaps Edna, because she is freed from the desire to be liked and to impress others at all costs, which leaves her with the wonderful freedom to say – almost always – exactly what she thinks. That’s true whether she’s dealing with her mother or her colleagues at work. Based on what I hear, in person, from readers and the tons of comments and messages I receive on social media, a lot of women are Team Edna and think she’s a great role model!


Kathy: Did you have a specific inspiration for your series?

VC: Each novel is inspired by a real problem that is close to my heart. I like to believe that light really is all around us. Humor and playfulness are things I can’t do without, a bit like my written fingerprint. In all my books, we often smile, or even laugh, despite having to deal with crimes and corpses, while exploring challenging and “weighty” themes. This is to say that life itself is full of alternating drama and comedy and there is often absurdity in even the darkest moments. It ought to be natural to find this all coexisting peacefully, regardless of the literary genre.


Kathy: What made you decide to publish your work?

VC: I began my career in publishing as an illustrator, but ultimately writing isn’t that different, I just changed my “perspective”: before I told stories with images, now I also tell them with words, And yes, I absolutely love immersing myself in stories.


Kathy: If you could have a dinner party and invite 4 authors, living or dead, in any genre, who would you invite?

VC: Undoubtedly I would invite Astrid Lindgren, the “mother” of Pippi Longstocking, Harper Lee, Gerald Durrell and Italo Calvino. I grew up with them and I would have a lot to ask, assuming I was able to bring myself to utter a word in such company! And then I would also add George Simenon, Alda Merini and Fruttero & Lucentini… There’s nothing like a big dinner party!


Kathy: What are you currently reading?

VC: I’m rereading THE SUNDAY WOMAN by Fruttero & Lucentini. I love rereading the books I loved, to enjoy the details, the nuances and savor how they always appears different, perhaps because I myself have changed, and this little magic moves me. Every time.

Kathy: Will you share any of your hobbies or interests with us?

VC: Besides reading, which is my “room all to myself”, where I cleanse myself of thoughts by immersing myself in stories that are not mine, I love photography, walking in the woods and cooking. The latter, however, only when it is outside of the obligatory meals of every day and I can do it for pure enjoyment. I also always wanted to learn to build furniture and learn basic English, learn how to whistle properly, dance the tango, walk on heels without looking like an ostrich or breaking a leg, glaze a Sacher Torte, sing “At Last” like Etta James and many other “one day I will learn to…” I won’t bore you about… I’ll just tell you that to date there are 72 of them.


Kathy: Name 4 items you always have in your fridge or pantry.

VC: Yeast, to make bread (as a Ligurian I can’t imagine being without focaccia); apples, which I love in all shapes and colors; yogurt, which, with the next ingredient can be transformed into something rapturous, and lots and lots of dark chocolate, both in winter and summer… after all, black goes with everything, right?


Kathy: Do you have plans for future books either in your current series or a new series?

VC: I’m working on Edna Silvera’s third adventure and they have asked me to write a mystery for children, which will see the light in the second part of 2025. With this latest venture, I’ll explore a different publishing world and I’m very excited about it.

Kathy: What’s your favorite thing about being an author?

VC: The excitement mixed with emotion when you have the freshly printed copy of your new book in your hands and every time it’s as if it were the first time; the moment when you re-read yourself and you ask yourself “did I really write that?”

I also never get over the wonder of seeing my name combined with the term “author”, because after fourteen books it still seems like a title that belongs to someone like Augusto De Angelis or Italo Calvino rather than me. And above all I carry with me the interactions I have had with other people because of my writing, the readers, other authors, even publishers like the wonderful Chiara Giacobbe who I now consider a good friend! That’s what I love most. Someone said that books are like bridges capable of uniting and creating bonds and now I can assure you that it’s really true. 


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Review


PENTIMENTO MORI by Valeria Corciolani
The First Edna Silvera Mystery
 
An art historian and restorer Edna Silvera has little patience for academia…and everything else for that matter. Though she’d rather stay at home with her cat and chickens, she’s talked into representing the university at the Siestri Dante Festival. She immediately regrets that decision, as she deals with winding roads, bureaucracy, bad weather, and a dead body! The discovery of a medieval polyptych with some unusual aspects has her captivated. Now if she can unravel the mystery of the painting she just may solve a murder. A task that may prove easier than finding a new housekeeper for her cantankerous mother.
 
PENTIMENTO MORI was a joy to read. I only wish I was able to read in Italian as I think I'd get even more wonderful word play and nuances reading in the original language. As it was I enjoyed this translation even with the use of present tense.
 
I really enjoyed Edna Silvera as a protagonist. Perhaps as we're almost the same age I feel quite similarly about many things...having little patience, preferring to be home with my cat, and more. In fact, I enjoyed all of the characters, all of whom were imbued with uniquely memorable characteristics. The first Edna Silvera mystery is also replete with humor. I'm still laughing at the scene where Edna is learning about the row between her mother and her housekeeper. But what really sets this mystery apart is the art history. 
 
I learned so much about medieval painting, art, and symbology by reading this mystery. I found it all fascinating, and vital to the mystery. I really appreciated how Edna was focused on the mystery of the panel, leaving the murder to the police. Of course, both are intrinsically intertwined. It was wonderful seeing the relationship develop between Edna and Public Prosecutor Bassi and how they managed to work together.

Filled with quick witted characters, artistic detail, and plenty of laughs PENTIMENTO MORI is a fantastic start to a new series. I can't wait to see what happens next!

Wednesday, July 17, 2024

Currently Reading...

I'm currently reading Pentimento Mori by Valeria Corciolani. This book is the first in the Dr. Edna Silvera Mystery series and was released yesterday.

An art historian and restorer Edna Silvera has little patience for academia…and everything else for that matter. Though she’d rather stay at home with her cat and chickens, she’s talked into representing the university at the Siestri Dante Festival. She immediately regrets that decision, as she deals with winding roads, bureaucracy, bad weather, and a dead body! The discovery of a medieval polyptych with some unusual aspects has her captivated. Now if she can unravel the mystery of the painting she just may solve a murder. A task that may prove easier than finding a new housekeeper for her cantankerous mother.

Friday, June 14, 2024

Murder on the Med - A Guest Post, Review, & Giveaway

I'm happy to allow Neil Webster to take over Cozy Up With Kathy today. You can find Neil on the pages of MURDER ON THE MED by Nancy Cole Silverman. This book is the third in the Kat Lawson Mystery series and was released last week.


A Man of Mystery

I have a name everybody knows. Ask anyone, and they'll tell you. I'm not just rich. I'm mega-rich. Heir to one of the biggest diamond mines in the world. My investment portfolio outperforms any in the market. My connections among those of the wealthy are beyond reproach. Some say I have a Midas Touch. Everything I do turns to gold. My name is Neil Webster. And while some may think they know who I am, there are only two people in the world who know who I really am. One is dead, and the other, I would trust my life to.

I've worked hard to keep my personal life private, and I like it that way. So I was surprised when I learned that my former business partner's wife, Dede Drumerhausen, had asked Kat Lawson, a reporter with Journey International, to come onboard Athena–my home away from home—to write a travel feature. Athena is the first of what I had hoped would be a series of upscale retirement communities at sea. An expensive venture, and frankly, one that lately hasn't worked out as I would like. I am hesitant to talk about anything to do with my business, much less my personal life, and now, with Kat Lawson onboard, I'll have to keep my guard up.

Regardless of my feelings, I made it my business to meet with Kat and welcome her aboard on our first day at sea. She was staying in Dede's suite while Dede attended several cooking schools in southern Italy. I always felt it best to keep those who could do you the most harm close to you. And journalists, I've learned from experience, tend to be snoopy and, at times, unscrupulous in their fact-finding. Hence, I wasn't about to risk Kat uncovering information about Athena that she didn't need to concern herself with.

I was most gracious. Charming, despite the fact I surprised Kat when she returned from High Tea and found me in Dede's kitchen, stocking her spice cabinet.

Kat's initial reaction was one of surprise—essential when one wants the upper hand. I assured her I had totally forgotten that Dede had arranged for Kat to stay in her cabin while away and explained that Dede and I shared a mutual interest in the culinary arts. I apologized for surprising her and explained that I had picked up some exotic spices and was merely stocking Dede's spice cabinet. I promised her I'd not surprise her again.

Kat reacted as I expected she would. She was alarmed that someone had access to her apartment, then chagrined when she realized I was Neil Webster—the Neil Webster—Athena's owner, one of the world's wealthiest men, and undoubtedly one of the most sought-after interviews any reporter could hope for. Kat played the scene favorably, aware of the opportunity versus the risk of my being anything but a gentleman. It all worked out exactly as I wanted.

I invited Kat to dinner. She countered with a challenge that since I consider myself a fan of the culinary arts, I might make dinner instead. I accepted. I'm a fabulous cook. I enjoy entertaining but insisted on one stipulation. Kat could ask me anything at all about Athena, her storied past as a Russian oligarch's private yacht. Her itinerary. Her crew, or even general questions about her residents. But my personal life and business affairs were strictly off-limits. Kat, of course, said yes. Whether she thought she might ply me with wine or slip flirtatiously beneath my defensive radar, I wasn't worried. I've no interest in women and a very loyal crew.

Kat's butler, Finn, is my long-time partner, and very little gets by him. I know everything that goes on aboard Athena, even when not onboard. Or at least I thought I did. 

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Review


MURDER ON THE MED by Nancy Cole Silverman
The Third Kat Lawson Mystery
 
A former investigative reporter now working for the FBI, Kat Lawson has certainly earned a vacation. Her cover magazine, Travel International, has arranged a cruise for her along the Amalfi Coast. She's to relax and write a puff piece about her ship, the Athena, which is actually a traveling home for wealthy retired senior citizens. However, two elderly women say that their friend, Dede Drummerhausen, whose cabin Kat is subletting, did not leave the ship as planned. They believe she was pushed overboard, possibly murdered! When Kat finds a gold coin hidden in her cabin, she wonders if something sinister could really be going on. Antiquities theft? Murder? So much for a peaceful relaxing vacation!
 
MURDER ON THE MED is a thrilling meld of mystery and history. One of the things I like best about the book is the fact that its senior citizens are vital, active people with brains and determination. They are actively pursuing their dream. Unfortunately, their dreams are nefarious and the Gang of Eight are definitely the bad guys! Marco and Dede are also vibrant seniors, each of whom gave me plenty of chuckles. I really appreciate Kat as a protagonist. She's smart and eminently capable. She thinks on her feet and has great insight, so important as she truly was just expecting a vacation.

I love how history and archeology are entwined in the story. I never knew about the Brutus coin and found it fascinating to learn about that, as well as the ancient underwater cities. A scene made more exciting by the fact that visiting them may have been a plan to kill Kat!

The third Kat Lawson Mystery is a bit of a cat and mouse game, or should I say Kat and mouse game. Each group trying to ascertain what the other knows and Kat trying to figure out not only what's going on, but who to trust. I was captivated.

With wily characters in a sumptuous setting on the sea MURDER ON THE MED is an ingenious mystery that will keep you guessing.

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 Murder on the Med: A Kat Lawson Mystery by Nancy Cole Silverman

About Murder on the Med

Murder on the Med: A Kat Lawson Mystery
Mystery - 3rd in Series
Setting - On a cruise ship in the Mediterranean
Publisher: ‎ Level Best Books (June 4, 2024)
Print length: ‎ 271 pages

A travel feature turns into a deadly investigation for Kat Lawson when she discovers a missing passenger, presumed overboard, may have been used as a mule to smuggle ancient artifacts aboard Athena, a luxury cruise ship designed for retired seniors at sea.

Kat Lawson has got a plumb assignment, or so she thinks. Travel International has rewarded her with a vacation cruise along the Amalfi Coast to report on a new floating senior retirement center. After working undercover as a travel reporter for the FBI and barely escaping her last assignment with her life, Kat's job is to relax, take notes, shoot pictures, and report back on an extravagant cruise from Napes to Positano. What could go wrong?

But once aboard, Kat quickly learns it's not all smooth sailing. Kat finds a handbag for Dede Drummerhausen, the woman who owns the suite where Kat is staying, and hidden inside is a gold coin. Rumor abound. Passengers and some of their possessions have gone missing. The residents are restless, and some on board are suspicious of a travel reporter who might uncover their secret mission. When Athena's captain discovers Kat snooping below deck, she soon realizes, like the antiquities hidden onboard, that she's been kidnapped and that her job and her life are in danger.

About Nancy Cole Silverman

Nancy Cole Silverman spent nearly twenty-five years in news and talk radio before retiring to write fiction. Silverman’s award-winning short stories and crime-focused novels, the Carol Childs and Misty Dawn Mysteries (Henry Press), are based in Los Angeles, while her newest series, the Kat Lawson Mysteries (Level Best Books), takes a more international approach. Kat Lawson, a former investigative reporter has gone undercover for the FBI as a feature writer for a travel publication. Expect lots of international intrigue, vivid descriptions of small European villages, great food, lost archives, and non-stop action. Silverman lives in Los Angeles with her husband and thoroughly pampered standard poodle, Paris.

Author Link: 

Website: www.nancycolesilverman.com  

Facebook: https://www.facebook.com/nancy.silverman.90/  

Threads: @nancy.silverman  

Goodreads: https://www.goodreads.com/author/show/4027978.Nancy_Cole_Silverman  

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