Kathy: The Body in the Casket is said to evoke both the board game Clue and the film Murder by Death. Those are two of my favorites! Do you like Clue? Do you ever play the board game?
KHP: I come from a board playing family and Clue is our all-time favorite. Somehow I managed to marry someone whose only fault is a disinclination to have anything to do with these games, even Scrabble! Happily during the summer and at the holidays I always have fellow enthusiasts. I have several editions of Clue, including one from the 1950s. The game, Cluedo, was invented in England in 1949. The name was changed to Clue in the US by Parker Brothers, as well as other things—Dr. Black, the victim, became Mr. Boddy—but the basic game is the same.
Kathy: Murder by Death is my favorite mystery movie and ranks as one of my top 5 films of all time. Is it one of yours as well? Do you have a favorite scene? Or character?
KHP: It is absolutely one of my all time favorites and picking a scene is like asking to pick a favorite child! I do love Alec Guinness as the blind butler and the Charlestons (think Nick and Nora)—David Niven and Maggie Smith are perfection. You got me thinking about other mystery movies, aside from those starring Michael Caine, which I mention in my Author’s Note: Deathtrap and Sleuth. I know it was panned, but I’ve always liked the 1985 movie, Clue, especially Madeline Kahn and Christopher Lloyd’s performances. One of my other all time favorites is the British movie, The Wrong Box (also Michael Caine, a very young one). And then of course The Maltese Falcon and the original Murder on the Orient Express. I could go on…And am curious about your five favorites overall. North By Northwest tops my list! P.S. Charles Adams did the fabulous poster for Murder by Death.
Kathy: In The Body in the Casket Faith Fairchild is invited to a birthday party for a Broadway legend. Have you attended a performance of Broadway? Do you prefer musicals or plays?
KHP: I grew up in northern New Jersey not far from New York City and going to the theater was a major, and favorite, part of my life. You could go from box office to box office before a Saturday matinee and get inexpensive tickets for plays or musicals. I was lucky to see musicals like The King and I, as well as dramas—Richard Burton in Hamlet was the highpoint. Again in the Author’s Note, I write about all this. It is terrible that Broadway ticket prices have made theater almost inaccessible. Fortunately we have great local and regional productions. As for preferring plays or musicals, it all depends on the show!
Kathy: Faith is invited to Rowan House is a secluded sprawling Arts and Crafts mansion. Is this mansion based on a real property? Is Arts and Crafts a favorite architectural style for you?
KHP: First, yes the Arts and Crafts style is my favorite, both in its architectural and decorative forms in the US as well as the UK. And Rowan House is most definitely based on a real property in almost every way—Stonehurst, the Robert Treat Paine estate in Waltham, Massachusetts. It was designed by Henry Hobson Richardson with landscape design by Frederick Law Olmsted and I think it’s the only one of their collaborations that is open to the public. Stonehurst was completed in 1886 and sits on 109 acres. We live only a few miles away, but I had never heard of it (like Faith and Rowan House) until we went there for a friend’s wedding. Since then I have returned to both the house and walking trails often. Stonehurst is a gem!
Kathy: Was there a specific inspiration for this story?
KHP: As you have already figured out—the game of Clue! I’ve always wanted to write a traditional country house mystery, inspired by and an homage to Agatha Christie. Hercule Poirot was introduced in The Mysterious Affair at Styles. My love of theater supplied the rest. The producer, Max Dane, is throwing himself a 70th birthday weekend long party with Faith as caterer (and undercover sleuth). All the guests were involved in his only failed production 20 years earlier—Heaven or Hell The Musical. Faith comes up with dishes for the birthday dinner that reference both—Pasta Fra Diavolo, Fallen Angel cocktails and others. It was fun researching dishes that related to above or below!
Kathy: Are you able to share any future plans for Faith?
KHP: I have started on the 25th book in the series, The Body in the Wake, which takes place on Sanpere, the island I created in Penobscot Bay in Maine. I am bringing back Sophie Maxwell who appeared in The Body in the Birches and The Body in the Wardrobe. I like the interactions she and Faith have had as they worked together to unmask the killers in the books. Sophie, a young bride, and Faith with teenaged kids, are at different points in their lives, but total kindred spirits.
Kathy: When it comes to writing I understand there are 2 general camps-plotters, who diligently plot their stories, and pansters, who fly by the seat of their pants. Are you a plotter, a panster, or do you fall somewhere in between?
KHP: Like most writers the plot and characters (other than Faith, her family and friends), percolate for a while before writing a single word. When I do put finger to key, I know whodunit and to whom it was done. As I write things may change, particularly with subplots, but I always know where I am going.
Kathy: Will you share any other upcoming books?
KHP: I have written for younger readers—the Christie & Company series—also a series cookbook, Have Faith in Your Kitchen, a number of short stories, and a YA, Club Meds. I have an idea for a novella in the first person, Faith’s closest friend and neighbor Pix Miller in which she describes one of Faith’s cases much like Watson. I also have an idea for a romantic suspense novel that I hope to write one of these days. Mary Stewart is a favorite of mine.
The Body in the Casket
by Katherine Hall Page
on Tour December 4, 2017 - January 12, 2018
The inimitable Faith Fairchild returns in a chilling New England whodunit, inspired by the best Agatha Christie mysteries and with hints of the timeless board game Clue.
Producer/director of a string of hit musicals, Max Dane—a Broadway legend—is throwing a lavish party to celebrate his seventieth birthday. At the house as they discuss the event, Faith’s client makes a startling confession. "I didn’t hire you for your cooking skills, fine as they may be, but for your sleuthing ability. You see, one of the guests wants to kill me."
Faith’s only clue is an ominous birthday gift the man received the week before—an empty casket sent anonymously containing a twenty-year-old Playbill from Max’s last, and only failed, production—Heaven or Hell. Consequently, Max has drawn his guest list for the party from the cast and crew. As the guests begin to arrive one by one, and an ice storm brews overhead, Faith must keep one eye on the menu and the other on her host to prevent his birthday bash from becoming his final curtain call.
Full of delectable recipes, brooding atmosphere, and Faith’s signature biting wit, The Body in the Casket is a delightful thriller that echoes the beloved mysteries of Agatha Christie and classic films such as Murder by Death and Deathtrap.
Book Details:Genre: Mystery
Published by: William Morrow
Publication Date: December 5th 2017
Number of Pages: 238
ISBN: 0062439561 (ISBN13: 9780062439567)
Series: Faith Fairchild, 24
Purchase Links: Amazon | Barnes & Noble | Goodreads
Read an excerpt:
Chapter One“Have Faith in Your Kitchen,” Faith Fairchild said, answering the phone at her catering firm. She’d been busy piping choux pastry for éclairs onto a baking sheet.
“Yes? This is Faith Fairchild. How may I help you?”
“Please hold for Max Dane.” The voice had a plummy, slightly British tone, reminiscent of Jeeves, or Downton Abbey’s Carson. The only Max Dane Faith had heard of had been a famous Broadway musical producer, but she was pretty sure he’d died years ago. This must be another Max Dane.
She was put through quickly and a new voice said, “Hi. I know this is short notice, but I am very much hoping you are available to handle a house party I’m throwing for about a dozen guests at the end of the month. A Friday to Sunday. Not just dinner, but all the meals.”
Faith had never catered anything like this. A Friday to Sunday sounded like something out of a British pre-World War II country house novel—kippers for breakfast, Fortnum & Mason type hampers for the shoot, tea and scones, drinks and nibbles, then saddle of lamb or some other large haunch of meat for dinner with vintage clarets followed by port and Stilton—for the men only. She was intrigued.
“The first thing I need to know is where you live, Mr. Dane. Also, is this a firm date? We’ve had a mild winter so far, but January may still deliver a wallop like last year.”
A Manhattan native, Faith’s marriage more than 20 years ago to the Reverend Thomas Fairchild meant a radical change of address— from the Big Apple to the orchards of Aleford, a small suburb west of Boston. Faith had never become used to boiled dinners, First Parish’s rock hard pews and most of all, New England weather. By the end of the previous February there had been 75 inches of snow on the ground and you couldn’t see through the historic parsonage’s ground floor windows or open the front door. Teenage son Ben struggled valiantly to keep the back door clear, daily hewing a path to the garage. The resulting tunnel resembled a clip from Nanook of the North.
“I’m afraid the date is firm. The thirtieth is my birthday. A milestone one, my seventieth.” Unlike his butler or whoever had called Faith to the phone, Max Dane’s voice indicated he’d started life in one of the five boroughs. Faith was guessing the Bronx. He sounded a bit sheepish when he said “ my birthday,” as if throwing a party for himself was out of character. “And I live in Havencrest. It’s not far from Aleford, but I’d want you to be available at the house the whole time. Live in.”
Leaving her family for three days was not something Faith did often, especially since Sunday was a workday for Tom and all too occasionally Saturday was as he “polished” his sermon. (His term, which she had noticed over the years, could mean writing the whole thing.)
Ben and Amy, two years younger, seemed old enough to be on their own, but Faith had found that contrary to expectations, kids needed parents around more in adolescence than when they were toddlers. Every day brought the equivalent of scraped knees and they weren’t the kind of hurts that could be soothed by Pat The Bunny and a chocolate chip cookie. She needed more time to think about taking the job. “I’m not sure I can leave my family…” was interrupted. “I quite understand that this would be difficult,” Dane said and then he named a figure so far above anything she had ever been offered that she actually covered her mouth to keep from gasping out loud.
“Look,” he continued. “Why don’t you come by and we’ll talk in person? You can see the place and decide then. I don’t use it myself, but the kitchen is well equipped—the rest of the house too. I’ll email directions and you can shoot me some times that work. This week if possible. I want to send out the invites right away.”
Well, it wouldn’t hurt to talk, Faith thought. And she did like seeing other people’s houses. She agreed, but before she hung up curiosity won out and she asked, “Are you related to the Max Dane who produced all those wonderful Broadway musicals?”
“Very closely. As in one and the same. See you soon.”
Faith put the phone down and turned to Pix Miller, her closest friend and part-time Have Faith employee.
“That was someone wanting Have Faith to cater a weekend long birthday celebration—for an astonishing amount of money.” She named the figure in a breathless whisper. “His name is Max Dane. Have you ever heard of him?”
“Even I know who Max Dane is. Sam took me to New York the December after we were married and we saw one of his shows. It was magical—the whole weekend was. No kids yet. We were kids ourselves. We skated at Rockefeller Center by the tree and…”
Her friend didn’t go in for sentimental journeys and tempted as she was to note Pix and Sam skated on Aleford Pond then and now, Faith didn’t want to stop the flow of memories. “Where did you stay? A suite at the Plaza?” Sam was a very successful lawyer.
Pix came down to earth. “We barely had money for the show and pre-theater dinner at Twenty-One. That was the big splurge. I honestly can’t remember where we stayed and I should, because that’s where—” She stopped abruptly and blushed, also unusual Pix behavior.
“Say no more. Nine months later along came Mark?”
“Something like that,” Pix mumbled and then in her usual more assertive voice, added “You have to do this. Not because of the money, although the man must be loaded! Think of who might be there. And the house must be amazing. We don’t have anything booked for then and I can keep an eye on the kids.”
The Millers lived next door to the parsonage and their three now grown children had been the Fairchilds’ babysitters. Pix played a more essential role: Faith’s tutor in the unforeseen intricacies of childrearing as well as Aleford’s often arcane mores. Faith’s first social faux pas as a new bride—inviting guests for dinner at eight o’clock— had happily been avoided when her first invite, Pix, gently told Faith the town’s inhabitants would be thinking bed soon at that hour, not a main course.
Faith had started her catering business in the city that never slept before she was married and was busy all year long. Here January was always a slow month for business. The holidays were over and things didn’t start to pick up until Valentine’s Day—and even then scheduling events was risky. It all came down to weather.
Pix was at the computer. Years ago she’d agreed to work at Have Faith keeping the books, the calendar, inventory—anything that did not involve any actual food preparation.
“We have a couple of receptions at the Ganley Museum and the MLK breakfast the standing clergy host.”
The first time Faith heard the term, “standing clergy”, which was the town’s men and women of any cloth, she pictured an upright somberly garbed group in rows like ninepins. And she hadn’t been far off.
“That’s pretty much it,” Pix added, “except for a few luncheons and Amelia’s baby shower—I think she baby sat for you a couple of times when she was in high school.”
“I remember she was very reliable,” Faith said.
“Hard to believe she’s the same age as Samantha and having her second!” Pix sounded wistful. She was the type of woman born to wear a “I Spoil My Grandchildren” tee shirt. Faith wouldn’t be surprised if there were a drawer somewhere in the Miller’s house filled with tiny sweaters and booties knit by Pix, “just to be ready.” Mark Miller, the oldest, was married, but he and his wife did not seem to be in a rush to start a family.
Samantha, the middle Miller, had a long-term beau, Caleb. They were living together in trendy Park Slope, Brooklyn and Sam, an old-fashioned pater familias, had to be restrained from asking Caleb his intentions each time the young couple came to Aleford. Pix was leaning that way herself, she’d told Faith recently, noting that young couples these days were so intent on careers they didn’t hear the clock ticking.
Faith had forgotten that Amelia—who apparently had paid attention to time— was Samantha’s age and quickly changed the subject to what was uppermost in her mind—the Dane job. “Where is Havencrest?” she asked. “I thought I knew all the neighboring towns.”
“It’s not really a town so much as an enclave between Weston and Dover. I don’t think it even has a zip code. I’ve never been there, but Mother has. You can ask her about it. The houses all date to the late nineteenth and early twentieth centuries. I believe there’s a gatehouse at the entrance. It’s an early equivalent of the mid century modern planned communities like Moon Hill in Lexington. Havencrest wasn’t a bunch of architects like that one though. Just very rich Boston Brahmin families who wanted privacy and plenty of space. I wonder how Max Dane ended up there? From what Mother has said, the houses don’t change hands, just generations.”
“I think I’ll check my email and see if there’s anything from him yet,” Faith said. “And maybe drop by to see Ursula on my way home.” Stopping to visit with Ursula Lyman Rowe, Pix’s mother, was no chore. The octogenarian was one of Faith’s favorite people. She turned back to the éclairs, which were part of a special order, and added a few more to bring to her friend.
“I know you’ll take the job,” Pix said. “I’m predicting the weekend of a lifetime!”
Excerpt from The Body in the Casket by Katherine Hall Page. Copyright © 2017 by William Morrow. Reproduced with permission from William Morrow. All rights reserved.