Showing posts with label Kenya. Show all posts
Showing posts with label Kenya. Show all posts

Tuesday, December 14, 2021

African Vengeance - A Book Blast!

African Vengeance Banner by Steve Braker

African Vengeance

by Steve Braker

December 14, 2021 Virtual Book Blast

Synopsis:

African Vengeance by Steve Braker

He didn’t go looking for trouble. It found him anyway…

Kenyan coast. William Brody longs for a quiet life. Although he’s still recovering from a recent bout of malaria, the former Special Forces major agrees to help some locals retrieve cargo lost in the ocean depths. But when he dives and discovers ten million dollars of drug money on a sunken plane, the simple favor turns into deadly stakes as vicious thugs hijack his vessel.

Trapped and fearing for his friends, Brody botches his escape attempt and accidentally destroys every cent of the dirty cash. And with the entire crew imprisoned, the grizzled ex-soldier is handed a sinister ultimatum: replace the illicit fortune or watch everyone he’s sworn to protect die.

Will Brody find a bounty big enough to save all their lives?

African Vengeance is the fast-paced fifth book in the William Brody African Ocean Adventure Series. If you like intriguing plots, vividly detailed settings, and nail-biting suspense, then you’ll love Steve Braker’s edge-of-your-seat thriller.

Book Details:

Genre: Thriller
Published by: Indie
Publication Date: December 1, 2021
Number of Pages: 275
Series:William Brody African Ocean Adventure Series, #5
Purchase Links: Amazon

Read an excerpt:

Mtwappa, Kenya, East Africa

The insane rattle on the corrugated roof sounded like machine gun fire. It was hopeless. All the patrons of the bar could do was wait for the onslaught to end.

It was the Kusi, or the Southern Monsoon, when storms crashed in off the Indian Ocean like tsunamis hitting a beach. Full of force and violence, nothing could stand in their way. The squalls came in gangs, sitting off in the ocean malevolently waiting until their numbers grew, then marching towards the enemy relentlessly, striking with impunity. Roads flooded, roofs leaked, people went home hungry and wet. Unable to dry their clothes, they worked the next day and got even wetter.

The monsoon killed the weak and the old. If you could not get warm or dry, then the coughs and colds crept into your bones. Pneumonia took many. With no dry kindling, and rivers running in the streets. Life became even tougher.

When the rain stopped, like a relay team passing the baton, the sun would break through. Another wave of purgatory would follow. Swarms of sand flies and rain ants emerged from the bush, flowing like the rivers below them into homes and the mouths of babes. The climate created a heaven for mosquitoes of all shapes and sizes. The death-giving female anopheles mosquito lived in the houses and streets. All she needed was a drop of sitting water. No more than a spoonful would be ample to give her larvae life. She waited for her prey to sit, just for a moment, long enough to push the needle-sharp proboscis into an uncovered arm or leg and suck some blood, at the same time passing a microscopic parasite into the unsuspecting host. After two weeks, the chills would arrive, then the sweating and headaches. Soon the poor unsuspecting victim would be bed-ridden, delirious one minute and hot to the touch, the next freezing and shivering in misery. The local mganga, or witch doctor, would pass by, leaving leaves and bark from the neem tree, or Arobaini as it was locally named. Arobaini means forty in Kiswahili. The tree was known to cure forty different diseases from diarrhea to malaria or even the dreaded dengue fever.

Grandmothers boiled the bark with water to make a tea that tasted almost too bad to drink. The old lady held her child’s nose and poured the foul liquid down the screaming infant’s throat. The child would gag and vomit as the brew burned its way down. Village life was hard on everyone during the rains, and only the fittest survived.

The Full Moon Bar sat on the edge of Mtwappa Creek, its few stalwart residents finding a haven from the torrential rain. Everyone watched each batch march in from the ocean, day after day. Brody had decided to sit out the Kusi with his old friend Barry, the manager of the bar. Barry was a cheery Kiwi who had washed up on the shores of East Africa many years ago and decided to stay.

He was a larger-than-life chap in every way at 6’6’’ tall and roughly the same around the waist. A happier, drunker, friendlier man was hard to find in Mtwappa. He had a mop of dark thinning hair showing his obvious Italian roots, and normally, two or three days’ growth of pepper and salt whiskers. His piercing blue eyes always held a faraway gaze as if he was looking at the horizon, planning a day’s sailing. In the monsoon, clothes were difficult. One minute it was blowing a gale, the next one hundred percent humidity. Barry went for what used to be a pale blue button-down shirt that had been washed and ironed so many times it was just off-white, black board shorts, and a pair of ever-faithful leather deck shoes that were so old they fit like gloves.

Barry shouted to Brody over the machine gun fire. “Mate, how do ya feel? You look like shit.”

Brody had succumbed to malaria. Being a white guy, or Muzungu as they were known in East Africa, he had no resistance to the parasite. “My God, Barry, that malaria really hits you, like a sledgehammer in the chest. I didn’t know what the hell happened. One minute I just had a bad headache like the flu back home, the next I was in a hospital bed thinking I was going to die.”

Barry lifted his tumbler full of dark sugarcane rum off the table. “Mate, you need to take a few snifters of this every day. Keeps the buggers away. Or when she sticks that thing in you, she just gets pissed and buggers off.” His deep baritone laugh filled the room.

Brody took a long pull from his cold Tusker lager, locally made and about the only lager you could buy in this part of Kenya. “That sounds like a bloody good idea. I think I’ll start that habit.” He looked across at the head waiter polishing the wide driftwood bar. “Joshua, can you get Barry a refill, and bring me a double, no ice. I’m still recovering from this bloody malaria.”

Brody had arrived a month ago at the small inlet on the East African coast known as Mtwappa Creek. After tying up Shukran, his forty-foot wooden dhow, to the reclaimed stone wharf jutting out from the bar, he had quickly settled into a quiet life of drinking, fishing, and diving.

His first week had been full of great sun, sea, and sand, but during the second week, the dreaded bug had caught him. He found himself in hospital for ten days, one minute hot to the touch, the next freezing, tossing and turning in the sweat-filled bed. The parasite had infected his blood system, giving him terrible nightmares. Suddenly, he was back to his army days fighting in the fetid jungles of the Democratic Republic of the Congo, rain pouring twenty-four hours a day, trails flowing like rivers. In his dreams he could feel the red welts from the deadly insect bites. As the malaria parasite infected his brain, the dreams became so real. His team came across a band of drug smugglers moving contraband into Kenya and Tanzania through the porous borders. He jolted awake as the bullets flew through the air, splintering tree bark, sending deadly six-inch-long, razor-sharp slivers of wood in all directions. Night turned to day as flares went up and grenades were thrown.

Next, after falling back into a restless sleep. He found himself back in the remote deserts of Somalia facing child soldiers with Coke bottles full of glue seemingly attached to their noses. The children’s pupils were constantly dilated, looking like saucers in his dreams. They were kids, dressed in ragged T-shirts, torn jeans shorts, no shoes, and red bandanas on their bristly heads. Most were no older than twelve or thirteen years. They should have been kicking a ball around. In his delirious state, they raised their AK-47s and pulled the triggers. Sometimes he saw the bullets coming at him, watching the hollow points of lead rip open his chest and tear his stomach open. Other times he was the one to shoot the youngsters. There seemed to be more and more of them. He kept firing. They kept coming, hundreds of them, then thousands. He was killing children. The H.K. just kept shaking in his hands, like the movies. Endless bullets for endless children. As the battle-hardened kids charged, he would kill them, tearing each child’s body to pieces. Blood spurted in all directions. He could taste it in his mouth. He slipped on the thick red liquid and fell into a long tunnel with all the faces of the children he had shot, like a house of horrors at the fairgrounds, only to be brought back to reality with a jolt.

He had opened his eyes and seen Wanjiku staring at him. “Man, what the hell was that all about!”

Brody had looked at her frightened face. “It was a bad dream, that’s all.”

“I don’t want any of your dreams. I can tell you that. You were thrashing about shouting for the kids to stop.”

Brody had laid quietly on the ruined soaking-wet bedsheets, the haunting memories still flooding through his brain.

Wanjiku was a good friend. He had met her the last time he was in Mtwappa. Her family owned a bar-restaurant and hair salon in the town. He had instantly enjoyed the company of her family, especially Wanjiku’s father. Mwangi was a wheeler-dealer-cum-bar owner and knew everyone and everything that went on. If you wanted something, he was the man to ask. Wanjiku was eagerly following in his footsteps.

She had sat by his bedside for what seemed like the whole ten days. When the release day came, Wanjiku was on hand with a local taxi driver to take them the twenty miles back to the Full Moon Bar. On his arrival, Barry had insisted he take one of the rooms available on the waterfront.

Since then, Brody had been concentrating on getting his strength back, like Popeye Doyle in The French Connection where Gene Hackman fights to recover from an enforced heroin addiction. Brody struggled each day, putting on his running shorts and shoes then half-walking, half-jogging along the beach. A little further each day.

It had been a week since his return from Mombasa Hospital, and he was beginning to feel like his old self again. The jog was turning into a run, and the sit-ups and push-ups done at each end of the journey were getting easier. Life was coming back, flowing through his veins.

Wanjiku was a constant visitor. He could tell she wanted more than just a friendship, but Brody wanted his freedom right now. And he knew she would want more than he could offer. Sometimes he felt stupid, as she was probably the most beautiful girl he had ever met. In her mid-twenties, she stood 5’6” in her pretty bare feet. She had long, firm, shapely legs, ending in a round solid butt, a thin muscular waist and an ample bust. Her skin was golden-brown and blemish-free. To top it off, her dazzling smile just took his breath away. In London or New York, he was sure she would be a catwalk model. But here in Mtwappa, she was just another African girl scraping a living buying and selling clothes or serving in her father’s bar.

Brody took a sip of his sugarcane rum and looked out through the fringe of raindrops pouring off the metal roof. Fifty feet away, but hardly visible, sat Shukran, looking miserable and forgotten, her bilge pump valiantly pumping gallons of water flowing from the deck. Barry saw his gaze and said, “Mate, you must be missing the life of the ocean waves stuck here in this place.”

Brody nodded his agreement. He longed to be back aboard Shukran with his crew, heading out to fish or dive, or maybe just to sail for a week and see where the wind took them.

Shukran was a forty-foot, fat-bellied dhow and was home for Brody since he had arrived in East Africa, after leaving the Special Boat Service several years ago. She was his pride and joy. Over the last few years, the dhow had been lovingly restored. Shukran, which means “‘thank you” in Kiswahili, was normally polished to a shine and could moor up proudly in any marina in the world. The deck planks shone in the sun, along with the stainless-steel and brass fittings. She was fitted with a 120hp Yanmar inboard engine for when the wind didn’t blow. Otherwise, they used the triangular lateen sail to get around. Over the last few years, he had become an expert sailor, but even with his skills, he needed his crew of Hassan and Gumbao to sail her safely.

Brody asked Barry, “You’ve been here for a while. How long does this rain last?”

“Well, mate, it kind of comes and goes. We can have this for a week or so, then the sun comes out for a while. It’s nature, mate. You just can’t tell.”

They sat in the early afternoon gloom with nothing better to do than have another rum and wait for the better weather.

The following day, Brody woke as the dawn light hit the fast-running water of the tidal creek, no more than ten feet from the end of his bed. After jumping in the shower to get rid of the nighttime sweat, he headed over to the bar for breakfast. The apartments were designed to enhance the bar’s turnover. To say they were basic was stretching it. You got a living room, bedroom, shower, and balcony to sit on and drink while the creek wandered past.

If Brody was on Shukran, he would get fresh coffee from Hassan as he waited for his Mahamry—small, deep-fried cake the Swahilis loved to eat for breakfast. Currently, Joshua, who Brody was sure slept at the bar, managed to at least get the coffee sorted out.

Brody gave the bar man the traditional Swahili greeting for the morning: “Habari asubuhi, Joshua.”

Joshua looked like he had just stepped out of an African fashion show. He was wearing a bright yellow collarless shirt called a dashiki, with elephants marching around his ample stomach. “Habari asubuhi, Mr. Brody. Coffee as usual?”

“Great, Joshua. I need it before my run.”

“I hope you are recovering, Mr. Brody. That malaria is bad for you Muzungus.”

“Tell me about it, friend. I thought my days were up in the hospital I can tell you.”

He gulped down a mug of strong black Arabic coffee with two sugars, then stretched for a couple of minutes before setting off on his morning routine.

Each day felt better. The soft golden sand of the beach felt like it was pulling him towards the ocean. Every pace felt easier. The energy came flooding back into the wasted muscles of his arms and legs.

The run was two and a half miles out and the same back. As he ran, the early morning sun burned his scalp through the baseball cap. Moisture from the downpour of the previous day was being sucked back up into the atmosphere. It was like running through an invisible cloud which clung to your skin and slowed you like moving through thick maple syrup.

He reached the gnarled old mangrove tree at the halfway mark and started the thirty press-ups followed by fifty sit-ups. The blood was pumping, and his lungs heaving, chasing the oxygen, but it all felt good. For the first time in a while, the exercise was enjoyable. He was on the mend.

The torture was changing to pleasure again. The last ten sit-ups passed in an instant, then he charged off down the beach. A full breakfast would be waiting for him and some more of that thick, sweet aromatic coffee.

On his third cup of coffee, Brody sat watching the morning start. The creek was busy as the fishermen took advantage of the sunshine heading out in “Ingalawas,” short canoes carved from tree trunks. The pied kingfishers flitted above the water, hovering then suddenly diving to pluck an unsuspecting fry from the water. Yellow-billed storks lined the riverbank wading in the shallows on the lookout for anything tasty. Their smart black and white plumage made them look like traffic cops directing the rush hour. But their nine-inch-long, razor-sharp, bright yellow beaks, which hovered just above the water, meant business. It was odd as they also had a ludicrous orange feathery crest which shaded their eyes from the sun. All in all, it made for a very strange ensemble. The birds stood statue-like still with large black eyes studying the depths. Then they moved faster than the eye could follow—master fishermen snapping up young red snappers or skipjack tuna from the mangroves.

Brody was enjoying the view, relaxing in the warmth of the sun when he heard a familiar voice. “Hey, boss. You back from the dead?”

His good friend and crew member Hassan came walking from the restaurant kitchen. “Hi, Hassan. Habari asubuhi. Where have you been for the last seven days? I’ve been looking after Shukran all alone.”

Hassan was in his late twenties and had been with Brody since he arrived in East Africa. He was a typical Swahili from Pemba Island off Tanzania. As a Swahili, he was devoutly Muslim, but he had dealt with Muzungu tourists over the years so had become lenient about being around bars and alcohol. He wore his usual bright-white kanzu, a full-length robe traditionally worn on the coast. On his head was a kofir, a brimless cylindrical cap with a flat crown covered in bright embroidery. His nut-brown face creased into a broad mischievous smile. “But boss, I left you with that Kikuyu girl. She seemed to be doing a good job, and you weren’t complaining.”

Brody laughed. “Ah, but Wanjiku can’t make coffee like you, my friend. So where did you go?”

“Boss, I headed off to Pemba to see my mum and dad. Everyone sends their salaams back to you. My sister is so happy to be on the mainland in uni. My dad wants her to be an engineer, but Mum says no. She wants her to be a doctor. There is none on the island right now.”

Hassan made himself comfortable at the table and told the story of his journey some one hundred miles to the south. When he had finished his story and drunk a soda, Brody asked, “What do you think of this weather? The sky is clear today. Maybe we have a break and could do some free diving or fishing. I’m much better and would love to get wet.”

“Boss, you never know with the monsoon. Especially the Kusi. She comes and goes. But it looks good.

Perhaps we wait a couple more days and then pop out and have a look. Where is Gumbao? Have you seen him?”

“I haven’t seen him for days. We’ll have to ask around town and the jail.”

Brody said, “O.K., you go look for him. I’ll check over Shukran to see if we have any maintenance to do before setting out.

***

Excerpt from African Vengeance by Steve Braker. Copyright 2021 by Steve Braker. Reproduced with permission from Steve Braker. All rights reserved.

 

 

Author Bio:

Steve Braker

In 2000 Steve Braker moved his young family from his native UK to Mtwapa, Kilifi in Kenya within the coast of East Africa. He has sailed the coast in a multitude of different sailing boats, working as a captain and taking diving clients to out of the way places along the coast and to the Tanzanian islands of Pemba, Mafia, and Jewe and up to the borders of Somalia. As an avid diver, Steve trained to become a P.A.D.I. open water dive instructor and has taught many students over the years. He has over 1,000 dives under his belt.

Steve loves to pull on his experiences and develop them into fast-paced action thrillers. He speaks several of the languages spoken along the coast of East Africa and loves to barter in the markets in Swahili. He lives to explore areas he has never been and to bring the adventures to life through the characters in his books. Steve currently reside in Mombasa, Kenya.

Catch Up With Steve Braker:
SteveBrakerBooks.com
Goodreads
BookBub - @steve1697
Instagram - @africanoceanadventures
Twitter - @steve_braker (#AfricanOceanAdventures)
Facebook - @AfricanOceanAdventures

 

 

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Tuesday, August 11, 2020

Fowl Murder - An Interview & Giveaway

I'm pleased to welcome Victoria Tait to Cozy Up With Kathy today. Victoria pens the Kenya Kanga Mystery series. Fowl Murder is the first book in the series and was released last month.


Kathy: The Kenya Kanga Mystery series is set in Africa. What made you decide to set your mystery series here?

VT: I lived in Kenya for 8 years with my family. My husband was working in a small market town called Nanyuki, three hours north of Nairobi, the capital of Kenya. This is where Fowl Murder is set. Our boys were young when we moved and there were no toddler groups, indoor activity centres or play parks to entertain them. I immersed myself in the local community, finding friends with similar aged children.
                                                                   Mitumba Stallholders

I met some amazing people and was blown away by the cheeriness of the majority of the Kenyans, despite most having so little and earning an average daily wage of $3.50. I wanted to portray how it felt to live in Kenya where despite the constant uncertainty about food, health and the provision of basic amenities, such as water, and for those lucky enough to have it, electricity, the majority of the people are friendly and happy.

I rarely came across jealousy and resentment of others for what they had, despite there being a huge divide between the rich and the poor. If a family member attained a place at university or required an operation, the extended family rallied round to contribute to the cost. The atmosphere felt inclusive rather than exclusive and as long as I was willing to join in and contribute to the community I was welcomed with open arms.


Kathy: Rose Hardie is a semi-retired vet. Did you ever want to be a veterinarian?

VT: I did when I was at school, but veterinary friends of many parents put me off as the grades needed to attend university were high. Perhaps I should have tried as I achieved the grades, but by then I was on a different path. I worked in the building and construction industry and when we moved to Kenya I set up a café and then a farm shop.


Kathy: What is your favorite animal of the savannah?

VT: Whilst it was always a treat to see a cheetah or leopard, and I rarely did, giraffes are my favourite wildlife animals as no two are the same and they always appear inquisitive and slightly bemused.


                                                                    Three Giraffe


Kathy: Why is it important to make readers aware of poaching?

VT: Poaching is a huge issue in Africa which could lead to the extinction of iconic and lesser-known animal species. But it is happening far away from the western world and the people with the funds and interest to tackle it. I am surprised, and appalled, that after my Kenyan friends have read the book and my free novella, they tell me how much they enjoyed being told about wildlife and areas of their country they had not visited. Conservation and wildlife is not taught in local schools and many Kenyans do not have the opportunity, or transport, to visit wildlife reserves. We also have many wildlife programs on the television, but similar shows have only recently been introduced to Kenya.


Kathy: What first drew you to cozy mysteries?

VT: I have been reading cozy mysteries since I was introduced to Agatha Christie in my teens. I’ve been drawn back to them in my 40s as a charming escape from the real world. There is a puzzle and interesting, and often eccentric, characters who grow through a series. The current Covid-19 situation has further highlighted the need for light relief and whilst cozies usually have a murder or two, there is no graphic violence or distressing scenes.


Kathy: Do you write in any other genres?

VT: This is my first book and I have more planned in the series. I am moving to Sarajevo in Bosnia in September and there will be much to write about, from the shooting of Archduke Franz Ferdinand, which ignited the first World War I, to the Balkan conflict in the 1990s. There are some harrowing stories from the latter, told by people who lived through them. I would like their voices to be heard, so I may write them in a different genre but it is too early to tell.


Kathy: Tell us about your series.

VT: Fowl Murder is the first book in the Kenya Kanga Mystery series, which propels Rose Hardie into the role of amateur sleuth. The books in the series will evolve around events which actually took place, and follow the characters as they grow, change and, for some, die. Wildlife, conservation and the daily challenges Kenyan people face will be at the heart of the series. Tusk Justice, book 2, is currently being edited for release in October and I have a free novella for those who sign up to my mailing list at www.VictoriaTait.com.


Kathy: Do you have a favorite character? If so, who and why?

VT: I don’t have a favourite character although I am surprised that minor characters in Fowl Murder are elbowing their way into more prominent roles in the books to follow.


Kathy: Did you have a specific inspiration for your series?

VT: Life in Kenya is my inspiration for the series: the sights, experiences and people. My main character, Rose Hardie, is based on a friend who showed me great kindness and who had the same courage, moral compass and forthrightness as Rose.


Kathy: What made you decide to publish your work?

VT: If I am going to do something then I want to do it well. After leaving Kenya I have 10 years ahead of me moving around the UK and abroad with my husband’s job in the British Army. Setting up a physical business will be impossible so I looked for something I could do wherever we are based as a family. Writing developed as my interest in what motivates and affects people has grown with age and the issues I have had to face. But I need to make it pay which is why I hired professional editors, cover designers and attended writing courses to improve my writing. Fingers crossed I will have some success as a published author.


Kathy: If you could have a dinner party and invite 4 authors, living or dead, in any genre, who would you invite?

VT: I would like to give an intellectual answer inviting important dead authors, but the truth is I would like to cook for, and thank, the indie authors who have helped me get to the point of publishing my book. I have been blown away by the camaraderie within the indie publishing community. To thank everyone I would need to host a cocktail party, but for a more intimate meal I would invite Sara Rosett, Jami Albright, Joanna Penn and Julia Golding. I met Julia by chance at a children’s book festival in Devon. She writes YA and, under the pen name Joss Stirling, psychological thrillers. She suggested an Arvon writing course (a UK charity which organises writing courses and retreats) which really set me on my way with my writing craft.

Joanna Penn was one of the first authors I found when initially researching a writing career and she was the primary reason I chose the indie author route. She writes thrillers but also provides fantastic resources to empower authors and I continue to listen to her podcasts. Sara Rosett and Jami Albright host a fantastic podcast called “Wish I’d known then…for writers” where writers are interviewed about the mistakes they made and what they have learnt during their author journey. Jami, a romantic comedy author, provided suggestions and a plan for launching Fowl Murder and Sara Rosett, a fellow cozy mystery author, has provided advice in many areas, from craft to marketing.


Kathy: What are you currently reading?

VT: Anthony Horowitz’s The Sentence is Death. My family is having an Anthony Horowitz binge. We watched the new Alex Rider series, so my boys are now reading those books. I have been catching up with a British TV series he wrote called Foyle’s War and I read the prequel to my current book, The Word is Murder. I like the way he walked through the clues at the end of The Word is Murder, which also helped me as a writer.


Kathy: Will you share any of your hobbies or interests with us?

                                          Me Riding at Gilgil Horse Show the Rift Valley

VT: During the pandemic I have been trying to maintain a level of fitness, limit the weight gain and keep mentally healthy with jogs and runs (I am too impatient just to walk) and mountain biking. I was brought up with ponies and rode a lot in Kenya, including some small competitions, but I no longer have a horse. There isn’t much horse riding in Bosnia, where we are moving to, but there is skiing: I learnt the basics in my twenties and hope that I can get going again in my forties!


Kathy: Name 4 items you always have in your fridge or pantry.

VT: During the pandemic I have been frantic about keeping the fridge fully stocked so I can feed the family if we have to isolate for 14 days. The most important items are copious amounts of milk for my younger son ,who drinks at least a litre and a half a day, British cheddar cheese for my husband and for sandwiches, omelettes etc. I like lots of fresh salad and fruit and of course a bottle of white wine or prosecco!


Kathy: Do you have plans for future books either in your current series or a new series?

VT: Book two, Tusk Justice is being edited now and will be launched in October. I have started planning Rhino Charge, book 3, which I will write once we are settled in Bosnia and release in January or February.


Kathy: What's your favorite thing about being an author?

Receiving emails from readers who have finished either my novella, Grevy Danger, or Fowl Murder and who tell me how much they have enjoyed the book. I knew there would be people who wouldn’t like what I write, but I didn’t know if I would find readers who did. I am still blown away by some of the comments I have received and I’ve even had people asking for French and Spanish translations.


***************************************************************************

Fowl Murder: A Cozy Mystery with a Determined Female Amateur Sleuth (A Kenya Kanga Mystery) by Victoria Tait

About Fowl Murder


Cozy Mystery 1st in Series  
Publisher: Kanga Press (July 21, 2020) 
ebook, 190 pages 
 
A shooting on the savannah. A tragedy she’d rather forget. When past and present collide, will she survive to see her future? Kenya, 2016. Semi-retired vet Rose Hardie just wants to enjoy her golden years and care for her disabled husband. But her peace of mind shatters when a forgotten confidant returns and reopens a case where Rose pulled the trigger. With her memories of the poacher’s shocking death flooding back, she barely catches her breath before her childhood friend is brutally murdered.
 
Braving blackmail and entrenched corruption, the tireless woman dives headfirst into helping the victim’s son solve the crime. But when the lead suspect is killed, Rose’s plans for a peaceful life end up dead and buried…
 
As her own traumatic history unravels, can Rose catch a killer before she becomes the next victim?
 
Foul Murder is the first book in the compelling Kenya Kanga Mystery series. If you like determined heroines, unpredictable twists and turns, and vivid African settings, then you’ll love Victoria Tait’s pulse-pounding tale.

About Victoria Tait


Victoria Tait is an exciting new author launching her Kenya Kanga Mystery series. She’s drawn on 8 years living in rural Kenya with her family to transport her readers to a world of curiosity, community and conspiracy. The Kenya Kanga Mystery series brings to life the beauty of the Kenyan landscape, the magic of its wildlife and the warmth of its people.

Author Links:
You can find Victoria at https://www.victoriatait.com/ or on Facebook at https://www.facebook.com/VictoriaTait  

Blog/News: https://victoriatait.com/news/  
GoodReads: https://www.goodreads.com/author/show/20373879.Victoria_Tait  
Pinterest: https://www.pinterest.co.uk/vataitauthor/  

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